There are varieties of Asiatic carpets far too numerous to be mentioned
here. They differ widely in origin, design, colour, and quality, each
town or district having its characteristic pattern and ornament, which
is followed with more or less persistence. The finest carpets, both in
pattern and quality, are the Persian, the worst are some of the Indian,
which are coarse in texture and devoid of artistic merit. In between are
the standard Turkeys, which are in great and steady demand all over
Europe.
Reference has been made to the very different position occupied by
Asiatic and European, or at any rate British hand-tufted carpets.
Practically identical in manufacture, they are in different categories
commercially. The Eastern carpet trade is a large one, healthy, well
organised, and profitable. The British hand-tufted industry is
artificial, and maintains a precarious existence.
It may not be considered quite outside the scope of this chapter to
examine the reason for this position. The question is in reality purely
an economic one. British hand-tufted carpets cannot be manufactured on a
basis of cost that enables them to compete in price with the imported
Eastern carpet. The question of design and colour may be ignored for the
moment; quality for quality, the domestic product cannot meet its
Oriental competitor on equal terms in the market, despite the fact that
it comes straight from the manufacturer, while the other has probably
had to bear collectors’ and wholesale dealers’ profits.
The reason lies, of course, in the different standard of living. The
cost of the raw materials is not substantially different in Great
Britain and in Asia Minor. But the British carpet has got to pay for
steam-heating, gas and water, and electric light, and a more liberal
standard of diet, than suffices the frugal Armenian or Kurd. The women
and girls who weave Eastern carpets are not protected by factory
inspectors and welfare superintendents.
And the difference in cost of production due to these very different
conditions is very considerable; while in view of the increase of wages
during the war, and the steadily advancing standard of comfort among
British artisans, it seems likely to be even more in the future.
Public-domain text, read in full here on John Shaqi.
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