Catalogue of a collection of early drawings and pictures of London: With some contemporary furnitureBurlington Fine Arts Club
History
Catalogue of a collection of early drawings and pictures of London: With some contemporary furniture
Burlington Fine Arts Club
Art -- Exhibitions; London (England) -- Pictorial works -- Catalogs
XXXV. SIR RICHARD STEELE’S COTTAGE, HAMPSTEAD. _J. Constable, R.A._
NO. 82. Lent by Mr. R. K. Hodgson.
XXXVI. THE PARADE AND WHITEHALL FROM ST. JAMES’S PARK. _S. Scott._
NO. 87. Lent by the Marquess of Sligo.
XXXVII. WHITEHALL FROM THE NORTH. _S. Scott._
NO. 88. Lent by the Marquess of Sligo.
XXXVIII. WESTMINSTER FROM BELOW YORK WATER-GATE. _Thomas Wijck._
NO. 91. Lent by Mr. E. C. Grenfell.
XXXIX. WESTMINSTER FROM LAMBETH. _S. Scott._
NO. 92. Lent by Mr. P. Norman.
XL. THE OLD STOCKS MARKET. _Josef van Aken._
NO. 93. Lent by the Bank of England.
XLI. RIVER VIEW FROM GARDEN OF OLD SOMERSET HOUSE. _Canaletto._
NO. 94. Lent by Mr. F. A. White.
XLII. OLD WESTMINSTER BRIDGE. _J. C. Nattes._
NO. 95. Lent by the Rev. L. Gilbertson.
XLIII. WHITEHALL FROM ST. JAMES’S PARK. H. Danckerts._
NO. 96. Lent by the Earl of Berkeley.
XLIV. ELY PLACE, HOLBORN. _J. Carter._
NO. 100_b_. Lent by Sir E. Coates.
XLV. RANELAGH. _Has been ascribed to Hogarth; perhaps by F. Hayman._
NO. 104. Lent by Mary, Countess of Ilchester.
XLVI. OLD LONDON BRIDGE AND NEW LONDON BRIDGE FROM SOUTHWARK. _G. B. Moore._
NO. 107. Lent by Sir E. Coates.
XLVII. ST. PAUL’S CATHEDRAL FROM ST. MARTIN’S-LE-GRAND. _T. Girtin._
NO. 111. Lent by Sir Walter Prideaux.
XLVIII. OLD WESTMINSTER. _D. Cox._
NO. 112. Lent by the Birmingham Art Gallery.
[Illustration]
[Illustration]
PREFACE
At this great time in the nation’s history, when changes moral and
material are following each other with such speed that we “know not
what a day may bring forth,” it seems all the more incumbent on us
while we live in the present not to forget the past. Accordingly,
the Committee felt that pictures and drawings of the London of our
ancestors would have exceptional interest, and the present exhibition
is the result.
Public-domain text, read in full here on John Shaqi.
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