Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
“Oh, _you_ don’t know anything about me,” she snapped, as they
entered the footpath through the Forest.
“I believe I know a very great deal about you,” he said quietly.
“Of course you believe so. Well, I don’t mind you telling me.”
He stroked his chin reflectively.
“Well, to begin with,” he said, “you’re passionate.”
She burst into sudden, uncontrollable, crackling laughter. In the empty
spaces of the Forest it sounded like musketry.
“I knew you’d say that.... I knew you would. And for the life of me I
don’t know whether you’re right or wrong. Every woman likes to think
she’s passionate. And nobody knows whether she’s any more passionate
than anybody else.... Pass on to the next point. You may be right or
you may be wrong about the last.”
“You’re impulsive--but good-natured.”
“Oh, rather. A kind heart beneath a rough exterior, eh?”
“I’m quite serious.”
“Are you? I’m not.”
She frisked along in front of him, revelling in the rustle of last
autumn’s leaves.
“Do you know what I should do if I were serious?” she asked suddenly,
when he had caught up to her.
“No.”
She walked a little way in silence, kicking up the dried leaves with
her toes.
“What would you do?” he said.
Her voice became fierce. “I should----” she began, and stopped. She
walked a few steps as if pondering, then she laughed airily and tossed
her head. “I really don’t know what I should do. Only I’m certain of
one thing: I shouldn’t be with you here.”
She could almost feel the extent to which her conversation was
mystifying him.
Then she became quiet and submissive, nestling like a stray kitten at
his side. She took his arm.
“I’m going to lean on you,” she said; “I nearly fell over a tree root
just there.”
He looked gratified. For three or four minutes they walked on in
silence. He had plenty he wished to say, but as a matter of fact
he thought this particular silence, coming when it did, rather
impressive, and he was unwilling to curtail it by a remark unworthy of
its profundity. He was engaged in thinking of that remark, a remark
that should not so much break the silence as guide it into still more
profound depths. He had almost decided on what he should say when
quickly and without any warning she snatched her arm from his and
scampered a few paces ahead.
“Oh, George,” she cried, with an extraordinary mingling of passion and
irritation, “do say something! For God’s sake keep up the conversation!
We’ve been a quarter of an hour without a word. Say something, anything
you like--only I can’t stand this mooning about under the trees saying
nothing!”
“You’re in a very extraordinary mood to-night,” he said deliberately.
He was genuinely disappointed.
“I am, or I shouldn’t have come with you,” she replied bluntly.
“Do you dislike me, then?” he asked, with a kind of injured dignity.
“Oh no--oh, don’t let’s talk seriously. I tell you I don’t feel serious
to-night.”
“Well, you won’t need to be. We’re going to have a very jolly evening.”
Public-domain text, read in full here on John Shaqi.
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