Americans -- Philippines -- Fiction; Short stories
"The little devil!" exclaimed the disconcerted Maestro. He dismounted
and, leading his horse, walked up to the side of the ditch. It was full
of the water of the last baguio. From the edge of the cane-field on the
other side there cascaded down the bank a mad vegetation; it carpeted
the sides and arched itself above in a vault. Within this natural
harbour a carabao was soaking blissfully. Only its head emerged, flat
with the water, the great horns wreathed incongruously with the floating
lilies, the thick nostrils exhaling ecstasy in shuddering riplets.
Filled with a vague sense of the ridiculous, the Maestro peered into the
recess. "The little devil!" he murmured: "He's somewhere in here; but
how am I to get him, I'd like to know? Do you see him, eh, Mathusalem?"
he asked of the stolid beast.
Whether in answer to this challenge or to some other irritant, the
animal slowly opened one eye and ponderously let it fall shut again in
what, to the heated imagination of the Maestro, seemed a patronising
wink. Its head slid quietly along the water; puffs of ooze rose from
below and spread on the surface. Then, in the silence, there rose a
significant sound--a soft, repeated snapping of the tongue:
"Cluck, cluck."
"Aha!" shouted the Maestro, triumphantly, to his invisible audience. "I
know where you are, you scamp; right behind the carabao; come out of
there, _pronto, dale-dale_!"
But his enthusiasm was of short duration. To the commanding tongue-click
the carabao had stopped dead-still and a silence heavy with defiance met
the too-soon exultant cries. An insect in the foliage began a creaking
call, and then all the creatures of humidity hidden there among this
fermenting vegetation joined in mocking chorus.
The Maestro felt a vague blush welling up from the innermost recesses of
his being.
"I'm going to get that kid," he muttered, darkly, "if I have to wait
till--the coming of Common Sense to the Manila office! By gum, he's the
Struggle for Attendance personified!"
He sat down on the bank and waited. This did not prove interesting. The
animals of the ditch creaked on; the carabao bubbled up the water with
his deep content; above, the abandoned kite went through strange
acrobatics and wailed as if in pain. The Maestro dipped his hand into
the water; it was lukewarm. "No hope of a freeze out," he murmured,
pensively.
Behind, the pony began to pull at the reins.
"Yes, little horse, I'm tired, too. Well," he said, apologetically, "I
hate to get energetic, but there are circumstances which----"
The end of his sentence was lost, for he had whisked out the big Colt,
dissuader of ladrones, that hung on his belt, and was firing. The six
shots went off like a bunch of firecrackers, but far from at random, for
a regular circle boiled up around the dozing carabao. The disturbed
animal snorted, and again a discreet "cluck-cluck" rose in the sudden,
astounded silence.
Public-domain text, read in full here on John Shaqi.
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