Americans -- Philippines -- Fiction; Short stories
"This," said the Maestro, as he calmly introduced fresh cartridges into
the chambers of his smoking weapon, "is what might be called an
application of Western solutions to Eastern difficulties."
Again he brought his revolver down, but he raised it without shooting
and replaced it in its holster. From beneath the carabao's rotund belly,
below the surface, an indistinct form shot out; cleaving the water like
a polliwog, it glided for the bank, and then a black, round head emerged
at the feet of the Maestro.
"All right, bub; we'll go to school now," said the latter, nodding to
the dripping figure as it rose before him.
He lifted the sullen brownie and straddled him forward of the saddle,
then proceeded to mount himself, when the Capture began to display
marked agitation. He squirmed and twisted, turned his head back and up,
and finally a grunt escaped him.
"El velador."
"The kite, to be sure; we mustn't forget the kite," acquiesced the
Maestro, graciously. He pulled up the anchoring stick and laboriously,
beneath the hostilely critical eye of the Capture, he hauled in the line
till the screeching, resisting flying-machine was brought to earth. Then
he vaulted into the saddle.
The double weight was a little too much for the pony; so it was at a
dignified walk that the Maestro, his naked, dripping, muddy and still
defiant prisoner a-straddle in front of him, the captured kite passed
over his left arm like a knightly shield, made his triumphal entry into
the pueblo.
II--HEROISM AND REVERSES
When Maestro Pablo rode down Rizal-y-Washington Street to the
schoolhouse with his oozing, dripping prize between his arms, the kite
like a knightly escutcheon against his left side, he found that in spite
of his efforts at preserving a modest, self-deprecatory bearing, his
spine would stiffen and his nose point upward in the unconscious
manifestations of an internal feeling that there was in his attitude
something picturesquely heroic. Not since walking down the California
campus one morning after the big game, won three minutes before the
blowing of the final whistle by his fifty-yard run-in of a punt, had he
been in that posture--at once pleasant and difficult--in which one's
vital concern is to wear a humility sufficiently convincing to obtain
from friends forgiveness for the crime of being great.
A series of incidents immediately following, however, made the thing
quite easy.
Upon bringing the new recruit into the schoolhouse, to the perfidiously
expressed delight of the already incorporated, the Maestro called his
native assistant to obtain the information necessary to a full
matriculation. At the first question the inquisition came to a deadlock.
The boy did not know his name.
"In Spanish times," the Assistant suggested, modestly, "we called them
'de los Reyes' when the father was of the army, and 'de la Cruz' when
the father was of the church; but now, we can never know _what_ it is."
Public-domain text, read in full here on John Shaqi.
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