Ceremonies of the Pomo IndiansBarrett, S. A. (Samuel Alfred)
Religion
Ceremonies of the Pomo Indians
Barrett, S. A. (Samuel Alfred)
Pomo Indians -- Social life and customs; Pomo dance
He next left the drum and went directly back to the foot of the center
pole, where he rejoined the rest of the ghost-dancers. The remaining
dancers went, one by one, or in small groups, and performed exactly
the same ceremony as that just described. When all had disrobed, each
took his costume and retired to the woods or brush, redressed himself,
endeavoring to change his painting to one as different as possible from
that which he wore before. Later the same performance was repeated:
the calling by the crier, entry of the dancers, series of dances, and
ceremonial disrobing.
On the first day this entire series of dances was repeated four times
in all--at about 5 a.m., 10 a.m., 2 p.m., and 5 p.m., respectively.
After the ceremonial disrobing at the end of the fourth series, the
ghost-dancers left their suits in the dance-house and repaired to the
river or lake to swim, after which they returned to the dance-house.
During the other three days of the ceremony they might appear any
desired number of times during the day.
The dancers were forbidden to eat or drink on any particular day as
long as the dance continued, but as soon as they had gone down to swim
this restriction was removed.
As a rule, fire-eating and fire-handling were only incidental
to the ghost dance proper. However, if occasion arose, the
ghost-dancers themselves might handle fire, though they could not
eat it. This privilege was especially reserved to the ash-devils,
nō' xahlūīgak (E). In case something was done to offend
the ghost-dancers, such as an inadequate provision of wood or some
inattention on the part of the officials, they might attempt to show
their displeasure by throwing fire about the dance-house. It then
became the duty of the two fire-tenders to hold sticks of wood across
the fire. This operated as a taboo to the ghost-dancers, who were
prevented from touching the fire. If there were any of the ash-devils
present, even though not regularly participating in this particular
ceremony, they at once brought their special bird-shaped staffs,
which served as their badges of authority,[19] and gave them absolute
control over the entire assemblage, including even the head captain.
This caused the fire-tenders to remove their restriction, and the
ghost-dancers were then privileged to do as they wished as long as they
were under the patronage of the ash-devils.
Public-domain text, read in full here on John Shaqi.
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