Ceremonies of the Pomo IndiansBarrett, S. A. (Samuel Alfred)
Religion
Ceremonies of the Pomo Indians
Barrett, S. A. (Samuel Alfred)
Pomo Indians -- Social life and customs; Pomo dance
Certain restrictions were imposed upon the dancers after the ceremony
was over. The regular ghost-dancers were not allowed to eat meat for
eight days. Those who wore the chaplet of twigs upon the head were
obliged to abstain from meat for four days. The Gū´ksū doctor
who assisted a dancer in dressing might ask him for some article, such
as a powerful poison. This had to be given the Gū´ksū and, in
that case, the dancer was forced to abstain from meat for eight days.
A dancer who wore certain kinds of feather ornaments abstained from
meat for a month. The chief Gū´ksū doctor, who knew all about
the ghost dance and who was called yō´mta bate (E), was compelled
to abstain from meat for several months. It was his duty to care for
the ceremonial paraphernalia between dances. This had to be carefully
hidden away in some lonely spot where no one could find it except this
chief Gū´ksū doctor and his two or three assistants.
Whenever any one of these individuals ate meat or fish for the first
time after this period of restriction had expired he was enjoined to
say a short prayer over it.
SUMMARY OF THE PRINCIPAL FEATURES OF THE GHOST CEREMONY
The following are the most characteristic features of the ghost or
devil ceremony:
1. The ceremony is supposed to have had its origin in mythical times
and to have been instituted as an atonement for an offense against the
dead.
2. It lasted four days, ending with an all-night dance, and, on the
morning of the fifth day, a purification rite followed by a feast in
which each class of individuals dined by itself.
3. The participants were several ghost-or devil-dancers personating
the spirits of the departed and accompanied frequently, though not
always, by one or more ash-devils or ash-ghosts, who filled the double
office of clown and sergeant-at-arms, and who usually performed their
special fire dance and fire-eating ceremony.
4. The officials particularly concerned with the ceremony were two
head singers, an indefinite number of burden-singers, a drummer, two
fire-tenders, and two masters of ceremonies. The village captains
retained their full authority in this ceremony except when the
ash-devils were performing.
5. The audience consisted of initiated men only, and silence was the
rule. Any exhibition of mirth was absolutely prohibited under penalty.
6. The attire of the ghost-dancer consisted of several pieces of
headgear, supplemented in some cases by a chaplet of leaves, a girdle,
and sometimes a neck-ring of leaves. The body was otherwise nude except
for very elaborate painting in black, white, and red. The dancers
dressed secretly in the woods and came to the village carrying bunches
of grass or twigs in their hands, behind which they at times pretended
to hide.
7. The ash-devils wore only a simple head-dress and a coat of paint.
8. The special crane-head shaped wand of the ash-devil gave him
absolute authority.
Public-domain text, read in full here on John Shaqi.
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