England -- Social life and customs -- 20th century -- Drama; English drama -- 20th century; Middle class -- England -- Drama
_The COMPANY move about the two rooms, the MEN handing refreshments to
the WOMEN--they ALL come more forward._
LESLIE. What do you think--? I lost the 8.15 this morning!
CHARLEY. Should have thought it would have waited for you.
LESLIE. I left the house at the usual time and there was a confounded
woman at the station with about five trunks and a paper parcel, who
took up the whole doorway.
_Much laughing from SYBIL and an encouraging smile from LILY._
By the time I got over the train was gone. Never did such a thing in
my life before.
LILY. _You_ haven't sung to us, Charley, dear.
MAGGIE. He's tired.
LILY. Not too tired for that, are you?
SYBIL. Oh, do, Mr. Wilson, I know you sing splendidly. Per-- Mr.
Massey told me so.
PERCY. S'sh! don't give me away--he's my brother-in-law.
CHARLEY. Not to-night, Lil--I--I'm a little hoarse.
LILY. That's being out in the garden at all hours.
LESLIE. Don't say that, Mrs. Wilson. Your husband wants to go as a
farmer in the Colonies--and you'll discourage him.
LILY. You silly man, Mr. Leslie. [_To CHARLEY._] You must have
something hot when you go to bed, dear.
LESLIE. I love being a little ill. My wife's an awfully good nurse.
SYBIL. I believe you put it on sometimes, Mr. Leslie.
LESLIE. Well, do you know--I believe I do. Ladies won't put their
pretty fingers round your neck for nothing. But if you have a little
hoarseness--not too much to be really unpleasant--or a headache is a
very good thing--it is delightful--I always say to myself:
"O woman--in our hours of ease--
Uncertain, coy and hard to please,
When pain and anguish wring the brow,
A ministering angel thou."
LILY. We ought to have "Auld Lang Syne"--
TENNANT. Please don't.
LILY. It would be so nice for you to remember. [_Going up L._] Yes, we
must. Come. [_She puts out her hands and makes them ALL form a ring,
with hands crossed and all round table._]
_TENNANT and CHARLEY join most reluctantly and are not seen to sing a
note._
There! That's better.
SYBIL. Now I must go, Mrs. Wilson.
LILY. Must you really? Come and get your things.
_They go out._
_A tapping is heard at the window in the near room--MAGGIE runs and
opens it._
VOICE. Is my husband there, Mrs. Wilson?
LESLIE. Y--es. I'm here. Coming, darling.
_SYBIL and LILY re-enter R._
LESLIE. My wife has sent for me home, Mrs. Wilson.
MAGGIE. Are you going over the wall?
SYBIL. Oh, do, Mr. Leslie--I should love to see you.
LESLIE. If it will give you any pleasure it shall be done, though I am
not at my best on the fence.
_They all crowd round--he shakes hands, smiling profusely, and
disappears through the window._
VOICE. Mind the flower-pot. No--not there--that's the dustbin. Not the
steps.
_There is a great shout to announce his safe arrival._
LESLIE. Safe!
SYBIL. I do think he is so funny!
LILY. Yes, isn't he? Are you going by 'bus?
PERCY. _I'm_ going Miss Frost's way.
SYBIL. [_much surprised._] Are you really?
Public-domain text, read in full here on John Shaqi.
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