England -- Social life and customs -- 20th century -- Drama; English drama -- 20th century; Middle class -- England -- Drama
MAGGIE. How extraordinary!
_Much kissing between SYBIL, LILY and MAGGIE. SYBIL and PERCY go out._
LILY. She's so sweet, isn't she? And Percy's so awfully gone.
MAGGIE. [_as they start clearing away the dishes._] Very. So he was
over Daisy Mallock and Ruby Denis--and who's the other girl with the
hair?
LILY. The hair? What do you mean?
MAGGIE. The one with the hair all over her eyes--nice hair, too.
LILY. Gladys Vancouver? Poor Percy--I'm afraid he is a little bit of a
flirt.
MAGGIE. He's got nothing else to do with his evenings.
LILY. And then people like Mr. Tennant think it's a dull life.
MAGGIE. Well, good night all. No, don't come out, Mr. Tennant--I'm
quite a capable person.
TENNANT. Oh, but I shall--if you'll allow me.
MAGGIE. I'd rather you didn't--still, if you will. [_They go out with
LILY._]
_CHARLEY looks round and sighs with relief--he walks round, looks out
of the window, then at the garden--he takes up the paper, but after
trying in vain to settle to it, throws it on the floor--he re-fills
his pipe and lights it. Re-enter TENNANT._
TENNANT. Well. [_He pauses, but CHARLEY does not stir._] I say,
Wilson, I never thought you'd take it like this.
_CHARLEY does not answer, but only shifts restlessly._
I thought you'd think I was a fool too. In fact I was half ashamed to
say anything about it. It wouldn't do for most people, you know. I'm
in an exceptional position, and even in spite of that they call me an
ass. I've got a little cash, too.
CHARLEY. [_quickly._] So have I.
TENNANT. Yes, but the cases are different. I can rough it.
CHARLEY. Let me have the chance to rough it.
TENNANT. You're married.
_CHARLEY does not reply._
You're settled. Your friends are here. I've got nothing and nobody to
worry about.
_They both smoke in silence._
I say, don't sit up and think. Go to bed.
CHARLEY. I'm going soon. Don't stay up, old chap.
TENNANT. You'll get over it.
_He goes out._
_Enter LILY--she pulls down blind and fastens catch of window._
LILY. I'm going up now. Don't be long. You look so tired.
CHARLEY. [_irritably._] Oh, don't fret about me. I'm a little worried,
that's all.
LILY. [_timidly._] Did Mr. Fenwick bring bad news? He looked miserable
enough.
CHARLEY. [_looking at her steadily._] Yes, I'm not going to have that
rise.
LILY. Oh, dear--what a shame! Why?
CHARLEY. Lots of reasons--but that's all.
LILY. Of course, you're worried. Still--it might have been worse. You
might have been sent away.
CHARLEY. Yes.
LILY. It's very disheartening--after all we'd planned to do with it.
You won't be able to have the greenhouse, now, will you, dear?
CHARLEY. [_with a short laugh._] What's the good of a greenhouse in
that yard. It isn't that.
LILY. [_a little timidly._] But we can manage very well, dear. We--you
remember what I said this morning--about the other lodger.
Public-domain text, read in full here on John Shaqi.
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