Looking across the room to the door which opened on to the landing at the top of the stairs, he saw a little stir of arrival, which was suppressed in order to avoid any interruption to the music. He distinguished the new-comer, a short, broad, middle-aged woman, out of breath after mounting the stairs, curiously draped in soft copper-coloured garments, with gold bangles on her bare arms, and a wreath of gold leaves round her dark head. He knew this woman, a singer. He neither liked nor disliked her, but had always thought of her as possessing a strangely classical quality, all the stranger because of her squat, almost grotesque ugliness; although not a dwarf, her great breadth gave her the appearance of one; but at the same time she was for him the embodiment of the wealth of the country, a kind of Demeter of the Islands, though he thought of Demeter as having corn-coloured hair, like the crops over which she presided, and this woman had blue-black hair, like the purple of the grapes that grew on the Islands. He had often heard her sing, and hoped now that she was arriving in her professional capacity, which seemed probable, both from her dress, and from the unlikelihood that she, a singer and a woman of the native people, would enter Madame Lafarge's house as a guest, renowned though she was, and fêted, in the capitals of Europe. He saw Lafarge tiptoe out to receive her, saw Madame Lafarge follow, and noted the faintly patronising manner of the Minister's wife in shaking hands with the artist. Applause broke out as Julie finished her song. The Greek singer was brought forward into the room amid a general movement and redistribution of groups. Alexander Christopoulos relinquished his place at the piano, and joined the Davenant boy by the window. He appeared bored and languid. 'It is really painful ... as well listen to a macaw singing,' he said. 'You are not musical, are you, Julian? You can scarcely imagine what I endured. Have you heard this woman, Kato?' Julian said that he had. 'Quite uneducated,' Christopoulos said loftily. 'Any woman in the fields sings as well. It was new to Paris, and Paris raved. You and I, my dear Julian, have heard the same thing a hundred times. Shall we escape?' 'I must wait for my father,' said Julian, who detested his present companion; 'he and I are going to dine with my uncle.' 'So am I,' Christopoulos answered, and, leaning over to the English boy, he began to speak in a confidential voice. 'You know, my dear Julian, in this society of ours your father is not trusted. But, after all, what is this society? _un tas de rastas._ Do you think I shall remain here long? not I. _Je me fiche des Balcans._ And you? Are you going to bury yourself on those Islands of yours, growing grapes, ripening olives? What? That satisfied the old generations. What have I to do with a banking house in Herakleion, you with a few vineyards near the coast? I shall marry, and spend the rest of my life in Paris.'