Julie stood beside the open piano with her hands loosely folded in a rehearsed and approved attitude while the room disposed itself to listen, and Alexander, who was to accompany her, let his fingers roam negligently over the keyboard. Chairs were turned to face the piano, people drifted in from the farther drawing-room, young men leaned in the doorways and against the walls. Lafarge folded his arms across his chest, freeing his imprisoned beard by an upward movement of his chin, and smiled encouragingly and benignly at his daughter. Speech dropped into whispers, whispers into silence. Alexander struck a few preliminary chords. Julie sang; she sang, quite execrably, romantic German music, and out of the roomful of people only three, herself, her father, and her mother, thought that she sang well. Despite this fact she was loudly applauded, congratulated, and pressed for more. Julian Davenant, taking advantage of the diversion to escape from the sisters Christopoulos, slipped away to one of the window recesses where he could partly conceal himself behind the stiff, brocaded curtain. Horizontal strings of sunlight barred the Venetian blind, and by peeping between its joints he could see the tops of the palms in the Legation forecourt, the iron grille which gave on to the main street, and a victoria standing near the grille, in the shade, the horse covered over with a flimsy, dust-coloured sheet, and the driver asleep inside the carriage, a fly-whisk drooping limply in his hand. He could hear the shrill squeaking of the tram as it came round the corner, and the clang of its bell. He knew that the sea lay blue beyond the white town, and that, out in the sea, lay the Islands, where the little grapes were spread, drying into currants, in the sun. He returned to the darkened, candle-lit room, where Julie Lafarge was singing 'Im wunderschönen Monat Mai.'