He stood in the window, absently looking out into the garden across the
veranda, where the dinner table was laid for six. Pots of oleander and
agapanthus stood along the edge of the veranda, between the fat white
columns, with gaps between them through which one might pass out into
the garden, and beyond them in the garden proper the fruit gleamed on
the lemon-trees, and, somewhere, the sea whispered in the dusk. The
night was calm and hot with the serenity of established summer weather,
the stars big and steady like sequins in the summer sky. The spirit
of such serenity does not brood over England, where to-day's pretence
of summer will be broken by the fresh laughter of to-morrow's shower.
The rose must fall to pieces in the height of its beauty beneath the
fingers of sudden and capricious storm. But here the lemons hung,
swollen and heavily pendulous, among the metallic green of their
leaves, awaiting the accomplished end of their existence, the deepening
of their gold, the fuller curve of their ripened luxuriance, with the
complacency of certainty; fruit, not for the whim of the elements,
but progressing throughout the year steadfastly towards the hand and
the basket of the picker. Here and there the overburdened stem would
snap, and the oblong ball of greenish-gold would fall with a soft and
melancholy thud, like a sigh of regret, upon the ground beneath the
tree; would roll a little way, and then be still. The little grove
stretched in ordered lines and spaces, from the veranda, where the
windows of the house threw rectangles of yellow light on to the ground
in the blackness, to the bottom of the garden, where the sea washed
indolently against the rocks.
Presently he would see Eve, his eyes would meet her mocking eyes, and
they would smile at one another out of the depths of their immemorial
friendship. She was familiar to him, so familiar that he could
not remember the time when, difficult, intractable, exasperating,
subtle, incomprehensible, she had not formed part of his life. She
was as familiar to him as the house in the _platia_, with its big,
empty drawing-room, the walls frescoed with swinging monkeys, broken
columns, and a romantic land and seascape; as the talk about the
vintage; as the preposterous politics, always changing, yet always,
monotonously, nauseatingly, pettishly, the same. She was not part of
his life in England, the prosaic life; she was part of his life on
the Greek seaboard, unreal and fantastic, where the most improbable
happenings came along with an air of ingenuousness, romance walking
in the garments of every day. After a week in Herakleion he could not
disentangle the real from the unreal.
Public-domain text, read in full here on John Shaqi.
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