It was the more baffling because those around him, older and wiser
than he, appeared to take the situation for granted and to treat it
with a seriousness that sometimes led him, when, forgetful, he was off
his guard, to believe that the country was a real country and that
its statesmen, Platon Malteios, Gregori Stavridis, and the rest, were
real statesmen working soberly towards a definite end. That its riots
were revolutions; that its factions were political parties; that its
discordant, abusive, wrangling Chamber was indeed a Senate. That its
four hundred stout soldiers, who periodically paraded the _platia_
under the command of a general in a uniform designed by a theatrical
costumier in Buda-Pesth, were indeed an army. That the _platia_ itself
was a forum. That the society was brilliant; that its liaisons had the
dignity of great passions. That his aunt, who talked weightily and
contradicted every one, including herself--the only person who ever
ventured to do such a thing--was indeed a political figure, an Egeria
among the men in whose hands lay the direction of affairs. In his more
forgetful moments, he was tempted to believe these things, when he saw
his father and his Uncle Robert, both unbending, incisive, hard-headed
business men, believing them. As a rule, preserving his nice sense of
perspective, he saw them as a setting to Eve.
He was beginning to adjust himself again to the life which faded with
so extraordinary a rapidity as the express or the steamer bore him
away, three times a year, to England. It faded always then like a
photographic proof when exposed to the light. The political jargon
was the first to go--he knew the sequence--'civil war,' 'independent
archipelago,' 'overthrow of the Cabinet,' 'a threat to the Malteios
party,' 'intrigues of the Stavridists,' the well-known phrases that,
through sheer force of reiteration, he accepted without analysis; then,
after the political jargon, the familiar figures that he saw almost
daily, Sharp, his father's chief clerk; Aristotle, the door-keeper,
his tussore fustanelle hanging magisterially from the rotundity of
his portentous figure; Madame Lafarge, erect, and upholstered like a
sofa, driving in her barouche; the young men at the club, languid and
insolent and licentious; then, after the familiar figures, the familiar
scenes; and lastly Eve herself, till he could no longer recall the
drowsy tones of her voice, or evoke her eyes, that, though alive with
malice and mockery, were yet charged with a mystery to which he could
give no name. He was sad when these things began to fade. He clung on
to them, because they were dear, but they slipped through his fingers
like running water. Their evanescence served only to convince him the
more of their unreality.
Public-domain text, read in full here on John Shaqi.
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