'One must be something,' the young Christopoulos had once told himself; 'I will be insolent and contemptuous; I will impose myself upon Herakleion; my surroundings shall accept me with admiration and without protest.' He consequently went to Oxford, affected to speak Greek with difficulty, interlarded his English with American slang, instituted a polo club, and drove an American trotter. He was entirely successful. Unlike many a greater man, he had achieved his ambition. He knew, moreover, that Madame Lafarge would give him her daughter for the asking. 'Shall I make Julie sing?' he said suddenly to the Danish Excellency, searching among the moving groups for the victim of this classic joke of Herakleion. 'Alexander, you are too cruel,' she murmured. He was flattered; he felt himself an irresistible autocrat and breaker of hearts. He tolerated the Danish Excellency, as he had often said in the club, because she had no other thought than of him. She, on the other hand, boasted in her fat, good-humoured way to her intimates,-- 'I may be a fool, but no woman is completely a fool who has realised the depths of man's vanity.' Julie Lafarge, who was always given to understand that one day she would marry the insolent Alexander, was too efficiently repressed to be jealous of the Danish Excellency. Under the mischievous influence of her friend, Eve Davenant, she would occasionally make an attempt to attract the young man; a pitiable, grotesque attempt, prompted by the desire to compel his homage, to hear herself called beautiful--which she was not. So far she did not delude herself that she had succeeded, but she did delude herself that it gave him pleasure to hear her sing. She stood now beside a little table, dispensing sirops in tall tumblers, very sallow in her white muslin, with a locket on a short gold chain hanging between the bones of her neck. Her very thin brown arms, which were covered with small black hairs, protruded ungracefully from the short sleeves of her dress. Alexander presented himself before her; she had seen him coming in one of the mirrors on the walls. Madame Lafarge cherished an affection for these mirrors, because thanks to them her drawing-rooms always appeared twice as crowded as they really were. Alexander uttered his request in a tone at once beseeching and compelling; she thought him irresistible. Nevertheless, she protested: there were too many people present, her singing would interrupt all conversation, her mother would be annoyed. But those standing near by seconded Alexander, and Madame Lafarge herself bore down majestically upon her daughter, so that all protest was at an end.