Chambers's Edinburgh Journal, No. 305: New Series, Saturday, November 3, 1849 — John Shaqi
Chambers's Edinburgh Journal, No. 305: New Series, Saturday, November 3, 1849Various
History
Chambers's Edinburgh Journal, No. 305: New Series, Saturday, November 3, 1849
Various
Periodicals
Albatross, I envy thee
Oft thy soaring pinions free;
For we deem the realms of air
Too ethereal for care.
Gladness as of endless springs
Seems to me is born with wings.
Thou canst rise and see the sun,
When his course to us is done:
A moral here may us engross,
Thou the teacher--albatross!'
THE PALACE OF THE FRENCH PRESIDENT.
The Elysée National, which has been appropriated as the residence
of Louis Napoleon, is an edifice which has gone through many
changes of masters. Situated in the Rue Fauxbourg St Honoré, with
a façade behind towards the far-famed Champs-Elysées, it enjoys
one of the most agreeable localities in Paris. Externally it makes
no great appearance, being shut in by a lofty wall in front; but
in internal arrangements the house is elegant, with suites of
grand apartments, common to the palaces of France. The builder and
first proprietor of the Elysée was the wealthy Count d'Evreux, in
the era of the Regent, Philip of Orleans, at the beginning of the
eighteenth century. After this it became crown property, but for no
long time.
One day, in the year 1743, Madame de Pompadour entered Louis XV.'s
apartments, complaining of a dreadful headache. The king had made
her a marchioness and a lady-in-waiting; he had laden her with
honours and wealth. But this did not satisfy her, for unworthy
favourites are never content: they were the revolutionists of those
days.
'Is anything the matter with you, madame?' inquired the king
anxiously, observing her downcast looks.
'Alas! I have no hôtel!' replied Madame de Pompadour.
'Is that all?' exclaimed the sovereign; and the same day the Hôtel
d'Evreux was purchased for her: it need hardly be added, at the
king's cost. A little while after, Madame de Pompadour was again
severely incommoded by a distracting headache. Like questions from
the monarch, and new complaints from the favourite.
'My hôtel is but a citizen's dwelling in comparison with Choisy
and Trianon. Its interior is so antique and formal! I really seem
to exist among the ghosts of a past century. In short, I am dying
there of languor and ennui.'
'Live, fair lady! and let your abode be the temple of fashion.'
This was quite enough for La Pompadour, who, being a connoisseur in
painting, sent next day for Boucher and Vanloo, and installed them
in the Hôtel d'Evreux. The ceilings and panels were quickly peopled
with rosy Cupids playing amid shepherds and shepherdesses: the gilt
cornices were wreathed in flowers. The talents of the architect,
L'Assurance, were also put into requisition, and the building
greatly enlarged. Once more the king's purse was obliged to meet
all the consequent demands for these improvements. L'Assurance,
being his controller, took care to exercise no control whatever
over the whims of the favourite. From thenceforth Madame de
Pompadour held her court at the Hôtel d'Evreux. Courtly equipages
began to crowd around it: balls and _petits-soupers_ enlivened its
halls.
Public-domain text, read in full here on John Shaqi.
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