Chambers's Edinburgh Journal, No. 305: New Series, Saturday, November 3, 1849 — John Shaqi
Chambers's Edinburgh Journal, No. 305: New Series, Saturday, November 3, 1849Various
History
Chambers's Edinburgh Journal, No. 305: New Series, Saturday, November 3, 1849
Various
Periodicals
On one occasion the queen of the place assumed the part of an
actress, and after rehearsing her part with the Dukes de Chartres
and Duras, and Madames de Brancas and d'Estrades, in her own
saloon, they all set off in great style, and performed a little
piece in the king's cabinet of medals. Another day, Crébillon,
Voltaire, and all those _beaux-esprits_ who sported on the brink
of a volcano, were gathered around the marquise, to whom they
addressed epigrams and madrigals. Voltaire, whose paw of velvet
concealed a tearing claw, combined the madrigal and the epigram in
the following verses:--
Que tous vos jours soient marqués par des fêtes;
Que de nouveaux succès marquent ceux de Louis.
Vivez tous deux sans ennemis
Et gardez tous deux vos conquêtes.
Madame de Pompadour felt only the velvet; but the king felt
the claw; and Voltaire became an exile, and lost his office of
gentleman of the bedchamber. From that day forth the cat-like
genius of Voltaire scratched those whom he had hitherto caressed:
so easy is the transition from a flatterer to a foe!
But who is this other original who appears at the Hôtel d'Evreux?
He is young and handsome, or at least he appears to be so, for
his age is a problem. He pretends to have existed during the days
of the _Fronde_, which would make him a centenarian. His friends
declare that he has found the Philosopher's Stone; that he can
renew his youth when he pleases; that he can read the past, the
present, and the future. The fact is, that his origin is unknown;
and so is his fortune. His wealth seems to be unbounded and
exhaustless: his prodigality is carried to excess: he speaks every
language, understands every science, cultivates every art: his wit
is so lively, his eloquence so full of captivation, that he is able
to make falsehood assume the air of truth: his whole life is, in
fact, but a fable in action. Some people regard him as a demi-god,
some take him for a devil; one affirms that he is a sorcerer,
another that he is a magnetiser. It may easily be conceived that he
becomes an idol in the frivolous and wonder-loving court of Louis
XV.; nor is it less to be expected that La Pompadour should attract
him to her magic circle. There he creates as great a sensation
as at Versailles. One day the king comes purposely for the sake
of having a private conversation with him. He interrogates him
closely, hoping to win from him his secret: but all in vain. The
Proteus escapes through a thousand windings, and charms Louis XV.
without betraying himself to him. This wonderful, this inexplicable
man, was the famous Count de St Germain.
Public-domain text, read in full here on John Shaqi.
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