Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 6, Vol. I, February 9, 1884 — John Shaqi
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 6, Vol. I, February 9, 1884Various
General
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 6, Vol. I, February 9, 1884
Various
Periodicals
In the afternoon, we are again in St Peter’s; this time, to find it
almost crowded. At three, the ‘holy relics’ are exposed. These are—the
handkerchief given by St Veronica to the Saviour as He passed on His
way to the cross, and on which there is said to be the impression of
His face; the lance with which His side was pierced; the head of St
Andrew; and a portion of the true cross. They are presented to the
public gaze from a balcony at an immense height, on one of the four
great buttresses which support the dome. There is a rattle of small
drums, and priests with white vestments appear on the balcony, holding
up certain magnificent jewelled caskets of different shapes, amidst
the dazzling settings of which it is quite impossible to recognise any
object in particular. The kneeling throng, the vast dim church, the
clouds of incense, the roll of drums, the sudden appearance of the
glittering figures on the balcony, their disappearance, followed by
the noise of the crowds as they quickly move and talk, after the dead
silence during the exposure of the objects of veneration, combine to
make this a most striking and impressive scene. Then, in the Capello
Papale, follows the service of the Tenebræ, as it is called, with the
singing of the Lamentations and the Miserere. The quietness of the now
densely packed crowd, the soft music, and the glimmer of the few lights
left in the dim chapel, strike one with a novel effect, after the
somewhat careless and florid services usually conducted here.
Emerging thence, the vast space of the cathedral looks larger than ever
in the twilight, and the brilliant line of lights round the shrine
of St Peter seem to glitter with double lustre; these, however, with
all others, are soon extinguished, and the great basilica remains in
darkness with covered crucifixes and stripped altars till Saturday
morning. The ‘crowd’ as it seemed within the small chapel, appears
nothing outside, and one by one the listeners disappear through the
heavy leathern curtain that screens the door, finding by contrast the
great piazza a scene of brilliant light, but quiet with what seems a
strange stillness in the midst of a crowded city.
Public-domain text, read in full here on John Shaqi.
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