Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 6, Vol. I, February 9, 1884Various
General
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 6, Vol. I, February 9, 1884
Various
Periodicals
On Good-Friday morning we are again in the Pope’s Chapel at half-past
seven, and are in time to see the canons take their places in the
stalls. Three priests, habited only in black cassock, and close
surplice with no lace edging, advance to the altar and begin the
service. The first part of this consists simply of a reading in
Latin of the whole of the chapters from the gospel of St John which
relate to the passion. The priests take different parts: one reads
most beautifully the narrative; another speaks the words uttered by
our Saviour; the third, those used by Pilate; and the choir repeat
the words of the populace. It is startling in its simplicity, but
wonderfully dramatic; the dignified remonstrances of Pilate, and the
clear elocution of the reader of the history, making up an impressive
service, not the least part of its strangeness consisting in the
fact of there being no congregation; not a dozen persons besides
the priests and canons are present in the chapel. This ended, the
officiating bishop, who is clothed in purple vestments embroidered with
gold, kneels in prayer before the altar, while the priests prostrate
themselves. The bishop then rises; and the choir chant softly in a
minor key while he takes the crucifix from the altar, uncovers it, and
holds it up to the people. In the afternoon, the relics are exposed,
Lamentations and Miserere sung after Tenebræ, as on the preceding days;
but the church is dark, bare, and silent.
The gloom of Friday is forgotten in the brilliant sunshine of Saturday
morning, and we feel inspired with the freshness and life of a new day,
as we once more gain the great steps leading to the basilica, watch the
rainbow on the fountains, and the dancing lights in the waters of the
large basins in the piazza. The obelisk in the centre is tipped with
red gold, and the clear blue sky makes the figures on the _loggia_ and
colonnades stand out with lifelike distinctness. This morning we are
called to join in an unquestionable festival, the early ceremonial of
rekindling the lights being one of the most cheerful ‘functions’ in
which it is possible to participate.
Public-domain text, read in full here on John Shaqi.
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