Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 6, Vol. I, February 9, 1884Various
General
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 6, Vol. I, February 9, 1884
Various
Periodicals
This service commences outside the cathedral; and ascending the steps
to the _loggia_ or porch, we find it already occupied by an imposing
array of priests and bishops. The handsome cardinal again officiates;
he is seated with his back to the piazza, just within the pillars
of the porch, and facing the brazen centre-doors of the church. In
front of him is an enormous brasier, in which burns a bright fire of
coals, branches, and leaves, which has been lighted by a spark struck
from a flint outside the church. He wears magnificent purple and gold
vestments; his finely embroidered cope and jewelled mitre glitter in
the sun. Around him are acolytes, some of whom tend the fire, while
others carry censers; priests, canons, and bishops all gorgeously
apparelled, and performing their parts in the service with the usual
precision and alacrity. Two priests stand with their backs to the great
bronze doors; one bearing a massive gold cross, the other holding a
bamboo with a transverse bar on the top, and on this are three candles.
After some chanting, the cardinal rises; and an acolyte fills a censer
with live coals from the brasier, and brings it for benediction;
another presents five large cones of incense covered with gold; these
are also blessed and sprinkled with holy-water; then incense is put
on the hot ashes in the censer; and as the smoke ascends, the great
bronze doors, so rarely unclosed, are thrown open, and the procession
enters the cathedral. The effect is strangely beautiful. The lovely
early morning light and sunshine, the great building empty of living
thing, the gorgeous procession throwing a line of brilliant colour into
the dim soft mist of the nave, the choir chanting as the priests walk,
their voices echoing in the great space—all form a combination which
must touch the least impressionable spectator, and which cannot but be
photographed on the memory to its smallest detail. At the door, there
is a pause while one of the candles on the bamboo is lighted; a second
flame is kindled in the nave, and the third at the altar in the choir
chapel. Thence, light is immediately sent to the other churches in
Rome, where also darkness has reigned since Thursday afternoon.
Public-domain text, read in full here on John Shaqi.
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