Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 22, Vol. I, May 31, 1884 — John Shaqi
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 22, Vol. I, May 31, 1884Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 22, Vol. I, May 31, 1884
Various
Periodicals
In 1763, Mr Grenville, then First Lord of the Treasury and Chancellor
of the Exchequer, had occasion to enlist the services of a gentleman
familiar with ancient handwriting, in the arrangement of papers
and other business. So well did Mr Thomas Astle do his work, that,
two years later, he was made Receiver-general on the Civil List;
subsequently becoming, in succession, chief clerk in the Record Office,
and keeper of the records in the Tower. Astle was a diligent and
discreet collector of manuscripts; and mindful of his obligations to
the Grenvilles, directed by his will that his valuable library should
pass into the possession of the Marquis of Buckingham for the sum of
five hundred pounds. That nobleman gladly accepted the conditional
bequest, and housed the sometime keeper’s treasures honourably at
Stowe. As opportunities offered, he and his successor added books and
documents to Astle’s store, until they had brought together a mass of
original materials for the history of the three kingdoms unrivalled by
any other private collection.
The middle of the present century saw Stowe shorn of its glories;
and in 1849, its famous manuscripts were advertised for public sale;
but their threatened dispersion was fortunately averted by the Earl
of Ashburnham purchasing the entire collection, and adding it to his
own extensive library, rich in works of early European and English
literature. At the time of the earl’s death he was the possessor
of four distinct collections, known as the Stowe, the Barrois, the
Libri, and the Appendix. The last-named, representing his occasional
purchases, consisted of two hundred and fifty volumes, including richly
illuminated missals and Books of Hours, choice copies of the works
of Chaucer, Wickliffe, Gower, Dante; English chronicles, monastic
registers, and individual manuscripts of great rarity and value. The
Barrois collection of seven hundred and two manuscripts was notable
for its specimens of ancient bindings, its illuminated manuscripts,
and its examples of early French literature; while the Libri section
was remarkable for its very ancient manuscripts, its copies of Dante’s
Commedia, its works of early Italian literature, its rare autographs,
and its letters of distinguished French men of science.
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