Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 38, Vol. I, September 20, 1884 — John Shaqi
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 38, Vol. I, September 20, 1884Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 38, Vol. I, September 20, 1884
Various
Periodicals
Shield had not been so perfectly frank with Philip as the latter
believed him to be. For instance, he had not mentioned that when Coutts
came to him with affected concern on account of the position in which
his brother might be placed by the forged bill, he had not admitted to
him that the signature was a forgery.
What he said to Coutts was: ‘Looks queer—but don’t know. Accustomed to
sign things that come through regular channel without looking close
into them. Will see what Hawkins and Jackson have to say about it and
let you know.’
Then Coutts took from his pocket a note which had been written to his
brother by Austin Shield and placed the two signatures side by side.
‘I do not think that any one looking at these would hesitate to say
that they were not written by the same hand.’
‘Don’t know. My hand shakes at times. Don’t always sign in exactly the
same way. Not always sure of my own signature—when it comes back to me.
Will inquire and let you know.’
‘I am positive that the writing is not yours, Mr Shield; and I should
never have touched the paper if there had been any signature of
yours beside me at the time. Although the amount may not be of much
consequence to you, it will be a heavy loss to me. But I could have no
suspicion of there being anything wrong, when I saw Philip’s name to
the bill.’
‘All right. Will inquire.—Good-day.’
When Coutts left the room, this big bearish man growled fiercely and
the growl ended in this note—‘Skunk.’ He immediately telegraphed for
his friend Mr Beecham; and that was why Beecham had so suddenly quitted
Kingshope.
On the day on which Madge made her memorable visit to London, Mr
Beecham’s conjuring friend, Bob Tuppit, called at Wrentham’s cottage
and asked for Mrs Wrentham. She could not be seen for half an hour; but
Tuppit was ready to wait an hour or more, if Mrs Wrentham’s convenience
should require it. He was accordingly shown into the dining-room—the
place where Wrentham spent the greater part of his evenings at home,
smoking and concocting schemes for the realisation of that grand vision
of his life—a comfortable income and a home somewhere in the sunny
south.
Tuppit was a quick-eyed little man, or he could not have earned his
living as a conjurer; and when he had turned himself round about
twice, he had the character and position of every bit of furniture
photographed on his mind’s eye. He looked longest at a heavy mahogany
desk which was bound with unusually massive brass clasps.
‘What a duffer!’ he said under his breath. ‘He has got something in
there that will do for him; and he puts on those big clasps like
labels, every one saying as plain as plain can be: “Look here, if you
want to find out my little game.” Well, having gone in for this sort
of thing, he might have taken the trouble to learn the ABC of his
business.’
Tuppit’s nimble fingers went round the desk and tried its fastenings.
‘Spring lock, too. So much the worse for him. Dier will pitch on it at
once.’
Public-domain text, read in full here on John Shaqi.
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