Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 38, Vol. I, September 20, 1884Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 38, Vol. I, September 20, 1884
Various
Periodicals
The door burst open, and little Ada Wrentham bounced in, her pretty
cheeks healthfully flushed, the hoop in her hand indicating how she had
been engaged.
‘O dear!’ she exclaimed, drawing back when she saw that there was a
stranger in the room.
‘Don’t go away—I’m a friend of yours,’ said Tuppit quickly.—‘Don’t you
remember me? I saw you watching me when I was performing on the green
in the summer-time, and you were with your nurse, and you sent me a
penny.’
The child stopped, stared, then advanced a few paces timidly till she
came to a sunbeam which crossed the room, dividing it in two. Then she
put out her pretty hands, moving them to and fro as if laving them in
the sunshine, whilst her eyes were full of wonder.
‘Was it you did all those funny things with the cards and the pigeons
and the pennies, and the orange and the glass of water?’
‘That was me, Ada—you see I know your name—and if you like, I will show
you some more funny things just now whilst I am waiting for your mamma.’
‘I’ll go and bring mamma. She would like to see them too.’
‘No, no; don’t go for her. She will be here as soon as she is ready.
Besides, this is a trick I want to show you all to yourself. You are
not afraid of the magician—are you?’
Little Ada peered at him through the sunbeam. He was such a little man;
and although his cheeks were somewhat hollow and his complexion rather
sallow, there was an expression of frank gentleness in his eyes which
at once inspired confidence. A child might trust him, and a child is
quick to detect untrustworthy persons.
‘I’m not afraid—why should I?’ said Ada laughing.
‘Because you do not know me—at least you do not know me enough to be
quite sure that I am not the wicked magician who tried so hard to kill
Aladdin because he got hold of the wonderful lamp.’
‘But that was a long time ago,’ she said with an air of thoughtfulness;
‘and papa says there are no magicians—no real magicians—and no ghosts
now, and that anybody who pretends to tell fortunes or to do magic
things is’——
The child instinctively paused and turned her face away.
‘Is an impostor, and ought to be taken up by the policeman,’ said
Tuppit, cheerfully completing the sentence for her; ‘and he is quite
right so far. All the same, Ada, there are great magicians always
close by us. There is the Good Magician, Love, who makes you fond of
your father and mother and ready to do kindly things for other people.
Then there are the wicked magicians Anger and Envy, who make you hate
everybody and everybody hate you. But you know I don’t pretend to be
like them; I only make-believe—that is, I perform tricks and tell you
how they are done.’
‘Is that all?’ she said, disappointed, allowing her hands to drop, and
passing through the sunbeam, which had hitherto formed a golden bar
between them.
‘That is all; but you have to work a great deal before you can do so
much.—Now, here is this big desk—your papa opens it by magic; but do
you know how it is done?’
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