Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 106, Vol. III, January 9, 1886Various
History
Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 106, Vol. III, January 9, 1886
Various
Periodicals
Over the site of the proposed pier, a large circular cylinder is
sunk, which rests on the rock-bottom, and has its upper edge slightly
above high water. A horizontal floor divides the cylinder into two
chambers. The lower chamber, seven feet in height, is charged with
compressed air by machinery situated on shore, and connected with it
by flexible hose. The air under pressure excludes the water, enabling
workmen to descend into the lower chamber—which is, in fact, a large
diving-bell—and to excavate the rock on which the caisson rests. The
excavated material is drawn up in buckets or ‘skips’ and thrown over,
whilst the caisson gradually descends by its own weight until a level
bed is formed. The upper and lower chambers of the caisson are then
filled with concrete, and this circular monolithic foundation carries
the granite pier on which rests the steel superstructure. A tube,
connecting the air-chamber below with an air-lock on the upper platform
of the caisson, gives access to the working beneath. In principle, the
air-lock of a caisson in no way differs from the well-known lock on
a canal. The air-lock is formed by a tube of larger diameter, which
surrounds the upper end of the vertical tube leading to the air-chamber.
Having entered this outer chamber, the door is closed behind us, and
our connection with the outer world severed. A cock is turned, and
with a steady hiss, the compressed air enters, a fact of which we
soon become painfully conscious by the pressure that is brought to
bear upon the drum of the ear. We follow the directions previously
given us, and by copiously swallowing the compressed air and forcing
it into the ears, with closed nostrils, we equalise the pressure on
both sides of the drums, and succeed in accommodating ourselves to the
novel atmospheric conditions. The inrush of compressed air at length
ceases; and the pressure being now equal in the outer chamber—in which
we are—and the internal tube, the door between them opens without
difficulty. We enter, and descending a vertical ladder some ninety
feet, we find ourselves in the air-chamber, and standing on the solid
rock-bed of the Firth of Forth fifty feet below water-level. The scene
is as striking as it is novel. A circular iron chamber, seventy feet
in diameter and seven feet high, brilliantly illuminated by arc-lights
suspended from the roof. Groups of foreign workmen—enlisted for this
service, owing to continental experience in this class of work—are
busily engaged in levelling the surface of the rock. The majority
of these men wield pick and bar; whilst others fill the iron tubs
or ‘skips’ with the fragments of rock, which are then drawn to the
surface, passing through a lock similar in principle, though differing
slightly in design from that we have ourselves traversed; and having
discharged their contents over the edge of the caisson, return for
another load.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account