Chambers's journal of popular literature, science, and art, fifth series, no. 119, vol. III, April 4, 1886Various
History
Chambers's journal of popular literature, science, and art, fifth series, no. 119, vol. III, April 4, 1886
Various
Periodicals
The cabins of these Cork crofters present externally a more respectable
appearance than the cabins of the same class in many parts of the
Highlands and islands of Scotland. These Irish cabins are mostly built
of stone, which in this part of the country is easily obtainable. Their
interior, however, would scarcely satisfy an exacting sanitary officer.
It consists of two apartments, the upper and the lower. The upper is
the sleeping apartment of the family, and the lower is the common room
of the household and all the live-stock. There is usually, indeed, a
shed adjoining the house for the special accommodation of the latter;
but there is a constant intercourse between the two domiciles, and
donkeys, pigs, geese, cocks and hens, sheep, and goats enjoy quite
undefined household privileges. Passing a cabin one day shortly after
our arrival in the place, we heard an appalling sound, and immediately
afterwards a voice exclaiming: ‘Be quoite, sir!’ It was a donkey
sharing the hearthstone with his master. The donkey, in truth, though
his master’s dearest possession, would also seem to be his peculiar
torment.
The sanitary officer has found his way even to this corner of the
empire, and objects to the domestic privileges of donkeys. Like most
despised races, however, donkeys have ineradicable opinions, and one
of these appears to be their prescriptive right to their master’s
domicile. As the Irishman, however, would seem to incline rather to
the opinion of his donkey than to that of the sanitary officer, it
will be seen that misunderstandings are apt to arise. The donkey is a
still further source of mischief in that he utterly refuses to make
any distinction between his owner’s ground and other people’s. He
breaks in utter unconcern through neighbouring fences, and browses at
large at his own caprice. Altogether, the donkey, as he is found in
Ireland, cannot fail to excite the admiration of the stranger. On the
other side of the Channel he is abroad, and has the exile’s numbness of
feeling. But in Ireland he is at home; he has the inspiriting sense
of a numerous brotherhood, and one may easily see that he has a vivid
consciousness of his social importance.
Public-domain text, read in full here on John Shaqi.
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