Chambers's journal of popular literature, science, and art, fifth series, no. 122, vol. III, May 1, 1886Various
History
Chambers's journal of popular literature, science, and art, fifth series, no. 122, vol. III, May 1, 1886
Various
Periodicals
It was not without serious misgivings that the mulatto doctor had
at last decided upon thus tempting Providence. He was weary of the
terrible disillusion that had come upon him on his return to the home
of his fathers; weary of the painfully vulgar and narrow world into
which he had been cast by unrelenting circumstances. He could not live
any longer in Trinidad. Let him fight it out as he would for the sake
of his youthful ideals, the battle had clearly gone against him, and
there was nothing left for him now but to give it up in despair and fly
to England. He had talked the matter over with Edward Hawthorn—not,
indeed, the question of proposing to Nora Dupuy, for that he held
too sacred for any other ear, but the question of remaining in the
island and fighting down the unconquerable prejudice—and even Edward
had counselled him to go; for he felt how vastly different were the
circumstances of the struggle in his own case and in those of the poor
young mulatto doctor. He himself had only to fight against the social
prejudices of men his real inferiors in intellect and culture and moral
standing. Dr Whitaker had to face as well the utterly uncongenial
brown society into which he had been rudely pitchforked by fate, like
a gentleman into the midst of a pot-house company. It was best for
them all that Dr Whitaker should take himself away to a more fitting
environment; and Edward had himself warmly advised him to return once
more to free England.
The governor’s dance was given, not at Government House in the Plains,
but at Banana Garden, the country bungalow, perched high up on a
solitary summit of the Westmoreland mountains. The big ballroom was
very crowded; and Nora Dupuy, in a pale, maize-coloured evening dress,
was universally recognised by black, brown, and white alike as the
belle of the evening. She danced almost every round with one partner
after another; and it was not till almost half the evening had passed
away that Dr Whitaker got the desired chance of even addressing her.
The chance came at last just before the fifth waltz, a dance that Nora
had purposely left vacant, in case she should happen to pick up in the
earlier part of the evening an exceptionally agreeable and promising
partner. She was sitting down to rest for a moment beside her chaperon
of the night, on a bench placed just outside the window in the tropical
garden, when the young mulatto, looking every inch a gentleman in his
evening dress—the first time Nora had ever seen him so attired—strolled
anxiously up to her, with ill-affected carelessness, and bowed a timid
bow to his former travelling companion. Pure opposition to Mr Dupuy,
and affection for the two Hawthorns, had made Nora exceptionally
gracious just that moment to all brown people; and, on purpose to
scandalise her ‘absurdly punctilious’ chaperon, she returned the
doctor’s hesitating salute with a pleasant smile of perfect cordiality.
‘Dr Whitaker!’ she cried, leaning over towards him in a kindly way,
Public-domain text, read in full here on John Shaqi.
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