Chambers's journal of popular literature, science, and art, fifth series, no. 122, vol. III, May 1, 1886Various
History
Chambers's journal of popular literature, science, and art, fifth series, no. 122, vol. III, May 1, 1886
Various
Periodicals
which made the poor mulatto’s heart flutter terribly; ‘so here you are,
as you promised! I’m so glad you’ve come this evening.—And have you
brought Miss Whitaker with you?’
The mulatto hesitated and stammered. She could not possibly have asked
him a more _mal à propos_ question. The poor young man looked about him
feebly, and then answered in a low voice: ‘Yes; my father and sister
are here somewhere.’
‘Nora, my dear,’ her chaperon said in a tone of subdued feminine
thunder, ‘I didn’t know you had the pleasure of Miss Whitaker’s
acquaintance.’
‘Neither have I, Mrs Pereira; but perhaps Dr Whitaker will be good
enough to introduce me.—Not now, thank you, Dr Whitaker; I don’t want
you to run away this minute and fetch your sister. Some other time will
do as well. It’s so seldom, you know, we have the chance of a good talk
now, together.’
Dr Whitaker smiled and stammered. It was possible, of course, to accept
Nora’s reluctance in either of two senses: she might be anxious that he
should stop and talk to her; or she might merely wish indefinitely to
postpone the pleasure of making Miss Euphemia’s personal acquaintance;
but she flooded him so with the light of her eyes as she spoke, that he
chose to put the most flattering of the two alternative interpretations
upon her ambiguous sentence.
‘You are very good to say so,’ he answered, still timidly; and Nora
noticed how very different was his manner of speaking now from the
self-confident Dr Whitaker of the old _Severn_ days. Trinidad had
clearly crushed all the confidence as well as all the enthusiasm
clean out of him. ‘You are very good, indeed, Miss Dupuy; I wish the
opportunities for our meeting occurred oftener.’
He stood talking beside her for a minute or two longer, uttering the
mere polite commonplaces of ballroom conversation—the heat of the
evening, the shortcomings of the band, the beauty of the flowers—when
suddenly Nora gave a little jump and seized her programme with singular
discomposure. Dr Whitaker looked up at once, and divined by instinct
the cause of her hasty movement. Tom Dupuy, just fresh from the
cane-cutting, was looking about for her down the long corridor at the
opposite end of the inner garden. ‘Where’s my cousin? Have you seen my
cousin?’ he was asking everybody; for the seat where Nora was sitting
with Mrs Pereira stood under the shade of a big papaw tree, and so it
was impossible for him to discern her face, though she could see his
features quite distinctly.
‘I won’t dance with that horrid man, my cousin Tom!’ Nora said in her
most decided voice. ‘I’m quite sure he’s coming here this minute on
purpose to ask me.’
‘Is your programme full?’ Dr Whitaker inquired with a palpitating
heart.
‘No; not quite,’ she answered, and handed it to him encouragingly.
There was just one dance still left vacant—the next waltz. ‘I’m too
tired to dance it out,’ Nora cried pettishly. ‘The horrid man! I hope
he won’t see me.’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account