Chambers's Journal of Popular Literature, Science, and Art, fifth series, no. 132, vol. III, July 10, 1886Various
History
Chambers's Journal of Popular Literature, Science, and Art, fifth series, no. 132, vol. III, July 10, 1886
Various
Periodicals
Ja-Ja received his great patron the consul with much finger-snapping
and other signs of friendship, and led the way to his house. The outer
wall of his compound, which incloses some three acres of ground, is
formed by the huts of his slaves and people, the whole place reeking
with filth beyond all European imagination. In the centre of the
compound stands a fetich india-rubber tree, with a ju-ju hut under
it; and near it is built the house inhabited by some of Ja-Ja’s
favourite wives; the palace itself being at the end of the compound,
and overlooking all. It is a gaudily painted wooden building, raised
on piles some eight feet high, and surrounded by a veranda. The house,
a new one, is the pride of old Ja-Ja’s heart, and was constructed by
negro workmen from the British settlement at Accra. It is furnished
with a desperate attempt at European style; but the whole effect
is absurdly incongruous with the nude or semi-nude male and female
servitors, and the evident uneasiness of Ja-Ja himself amongst his
civilised surroundings. In the corner of the principal parlour,
which leads straight from the veranda, is a most gorgeous red and
gold throne, with a liberal allowance of crowns, sceptres, orbs, and
‘King Ja-Jas’ scattered on every coign of vantage; and on its topmost
pinnacle is stuck jauntily an absurd conical hat like a fool’s-cap,
with enormous feather-like ears on each side of it, with which
head-dress the king volunteered the statement that he had been ‘making
ju-ju’—whatever that might mean.
I was trying hard, but unsuccessfully, to make out Ja-Ja’s
extraordinary attempts at pigeon-English, when from the adjoining room
came a female voice, which partly explained the attempts I had noticed
at European furnishing.
‘O yas, sah,’ said the voice, with the comical affectation and
bombastic intonation of the civilised nigger—‘O yas, sah, I’se berry
seedy, sah; I’se miscalkerlated de day, sah!’ and thereupon Miss Sally
Johnson—‘a Barbadian born, sah!’—sailed into the room, positively
_dressed_ in a flowing cotton gown of most approved fashion; evidently
a very superior person, looking down upon poor Ja-Ja and his people
with much commiseration, and not a little contempt. This lady is
prime-minister, secretary of state, and Ja-Ja’s guide, philosopher,
and friend in all that relates to the ways of the white man; and her
experience and knowledge of all civilised matters are too great to
be questioned within the realms of Opobó. Her initiative with regard
to the gown, however, was not followed, for she was the only person
dressed in the place, unless we so consider the eccentric harlequin
suits of dye upon the children of all ages, and even upon Ja-Ja’s
marriageable daughters, who were plentifully scattered about the
compound. The patterns stained upon the bright sleek brown skins are
in some cases very elaborate and brilliant, and had really a pleasing
effect.
Public-domain text, read in full here on John Shaqi.
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