Chambers's Journal of Popular Literature, Science, and Art, No. 694: April 14, 1877.Various
History
Chambers's Journal of Popular Literature, Science, and Art, No. 694: April 14, 1877.
Various
Periodicals
has been rather an advantage than otherwise. Although first and last
there has been much said about Cleopatra's Needle, we shall attempt to
give some account of it and of a freshly conceived plan for bringing it
to England.
The ancient Egyptians excelled in the art of erecting magnificent
temples, pyramids, obelisks, and other works in stone, all of
which, or the ruins of them, fell into the hands of successive
conquerors--Persians, Greeks, Romans, Arabs, and finally the Turks.
Among the long roll of monarchs of the ancient Egyptians, one stands
out conspicuously for grandeur of character and the splendour of his
reign. That was Thothmes III., who flourished fourteen hundred and
forty-four years before the commencement of our era, that is to say,
three thousand three hundred and twenty years ago. He ordered to be
executed two obelisks of gigantic dimensions for the City of On,
or City of the Sun, the name of which was changed by the Greeks to
Heliopolis, a word signifying the same thing. During the lifetime of
Thothmes, the obelisks were cut out of the quarries of Elephantiné,
which consist of the rose-coloured granite of Syene, or Es-souan. These
obelisks were to be set up in front of the Temple of the Sun, and
in however mistaken a way, must be viewed as a pious tribute to the
Almighty, personified in the Sun as the author of Light and Heat, the
fructifier and sustainer of animal and vegetable existence.
The preparation of the two obelisks was the work of years. Before their
completion, Thothmes III. had passed away; and the honour of setting
them up in their appointed place belonged to one of his successors,
Rameses II., familiarly known to us as Sesostris. We can fancy the
imposing ceremonies which took place in erecting the obelisks in front
of the Temple of the Sun at Heliopolis. Both obelisks were inscribed
with hieroglyphics, signifying that they were erected to the god Ra,
or the Rising Sun, and to Tum, or the Setting Sun, which identify
them with the most ancient and perhaps most poetical superstition in
the world. To these hieroglyphics were added others by Rameses II.,
commemorative of certain military conquests.
And where is now Heliopolis, the City of the Sun, at which these
grand obelisks were set up and venerated by the ancient rulers of the
country? It is extinct. As in many other old Egyptian cities, its
dwellings, built of unburnt bricks, have long since crumbled into
heaps of dust. Its splendid monuments are destroyed or dispersed. When
the Romans took possession of the country, the two obelisks that had
been erected by Rameses II. in honour of the Sun were removed by the
celebrated Cleopatra to grace the Cæsarium at Alexandria about the year
40. There, near the shore, they were set up. One of them remains where
it was placed, and is a well-known landmark. The other fell, from what
cause is unknown, and there it has lain till our times.
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