Domestic fiction; England -- Social life and customs -- 19th century -- Fiction; Family -- England -- Fiction
Nevertheless we looked out the gentlemen’s seats in _Paterson’s Road
Book_, and after much research, for Chantry House lay far off from the
main road, we came upon—‘Chantry House, Earlscombe, the seat of James
Winslow, Esquire, once a religious foundation; beautifully situated on a
rising ground, commanding an extensive prospect—’
‘A religious foundation!’ cried Emily. ‘It will be a dear delicious old
abbey, all Gothic architecture, with cloisters and ruins and ghosts.’
‘Ghosts!’ said my mother severely, ‘what has put such nonsense into your
head?’
Nevertheless Emily made up her mind that Chantry House would be another
Melrose, and went about repeating the moonlight scene in the _Lay of the
Last Minstrel_ whenever she thought no one was there to laugh at her.
My father and Griffith returned with the good news that there was no
mistake. Chantry House was really his own, with the estate belonging to
it, reckoned at £5000 a year, exclusive of a handsome provision to Miss
Selby, the niece of the late Mrs. Winslow, a spinster of a certain age,
who had lived with her uncle, and now proposed to remove to Bath. Mr.
Winslow had, it appeared, lost his only son as a schoolboy, and his
daughters, like their mother, had been consumptive. He had always been
resolved that the estate should continue in the family; but reluctance to
see any one take his son’s place had withheld him from making any
advances to my father; and for several years past he had been in broken
health with failing faculties.
Of course there was much elation. Griff described as charming the place,
perched on the southern slope of a wooded hill, with a broad fertile
valley lying spread out before it, and the woods behind affording every
promise of sport. The house, my father said, was good, odd and
irregular, built at different times, but quite habitable, and with plenty
of furniture, though he opined that mamma would think it needed
modernising, to which she replied that our present chattels would make a
great difference; whereat my father, looking at the effects of more than
twenty years of London blacks, gave a little whistle, for she was always
the economical one of the pair.
Emily, with glowing cheeks and eager eyes, entreated to know whether it
was Gothic, and had a cloister! Papa nipped her hopes of a cloister, but
there were Gothic windows and doorway, and a bit of ruin in the garden, a
fragment of the old chapel.
Public-domain text, read in full here on John Shaqi.
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