Domestic fiction; England -- Social life and customs -- 19th century -- Fiction; Family -- England -- Fiction
Thus far I could see; but Griff was standing lifting the curtain, and
showing by the working of his shoulders his amazement and diversion, so
that only the daggers in my mother’s eyes kept Martyn from springing up
after him. What he beheld was an altar draped in black like a coffin,
and on the step up to the rail, boys and girls eating apples and
performing antics to beguile the waiting time, while a row of
white-smocked old men occupied the bench opposite to our seat, conversing
loud enough for us to hear them.
My father and Clarence came in; the bells stopped; there was a sound of
steps, and in the fabric in front of us there emerged a grizzled head and
the back of a very dirty surplice besprinkled with iron moulds, while
Chapman’s back appeared above our curtain, his desk (full of dilapidated
prayer-books) being wedged in between us and the reading-desk.
The duet that then took place between him and the curate must have been
heard to be credible, especially as, being so close behind the old man,
we could not fail to be aware of all the remarkable shots at long words
which he bawled out at the top of his voice, and I refrain from
recording, lest they should haunt others as they have done by me all my
life. Now and then Chapman caught up a long switch and dashed out at
some obstreperous child to give an audible whack; and towards the close
of the litany he stumped out—we heard his tramp the whole length of the
church, and by and by his voice issued from an unknown height,
proclaiming—‘Let us sing to the praise and glory — in an anthem taken
from the 42d chapter of Genesis.’
There was an outburst of bassoon, clarionet, and fiddle, and the
performance that followed was the most marvellous we had ever heard,
especially when the big butcher—fiddling all the time—declared in a
mighty solo, ‘I am Jo—Jo—Jo—Joseph!’ and having reiterated this
information four or five times, inquired with equal pertinacity,
‘Doth—doth my fa-a-u-ther yet live?’ Poor Emily was fairly ‘convulsed;’
she stuffed her handkerchief into her mouth, and grew so crimson that my
mother was quite frightened, and very near putting her out at the little
door of excommunication. To our last hour we shall never forget the
shock of that first anthem.
The Commandments were read from the desk, Chapman’s solitary response
coming from the gallery; and while the second singing—four verses from
Tate and Brady—was going on, we beheld the surplice stripped off,—like
the slough of a May-fly, as Griff said,—when a rusty black gown was
revealed, in which the curate ascended the pulpit and was lost to our
view before the concluding verse of the psalm, which we had reason to
believe was selected in compliment to us, as well as to Earlscombe,—
‘My lot is fall’n in that blest land
Where God is truly know,
He fills my cup with liberal hand;
’Tis He—’tis He—’tis He—supports my throne.’
Public-domain text, read in full here on John Shaqi.
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