Baalbek, Pantheon of, 29^2; entablature, 29^2; breaking of the pediment, 94, 95 (cut), 117; ressauts, 95. Baccio d’Agnolo, architect of tower of Santo Spirito, Florence, 82. Balconies, with balustrades, 160. Baldinucci, _Lettera di Filippo Baldinucci Intorno al modo di dar Proporzione alle Figure_, etc., 249^2; quoted on rules of proportion in art, 250. Barley, ear of, in Renaissance and in Greek carving compared, 169 (plate and cut). Barrozzi, Giacomo. _See_ Vignola. Beltrami, Luca, _Il Pantheon_, 89^1. Benedict XIV, Pope, his inquiries as to the safety of the dome of St. Peter’s, 60. Bernini, Wren’s meeting with him at Paris, 233. Berty, Adolphe, _Les Grands Architectes Français de la Renaissance_, 194^1, 200^1; quoted on Lescot, 194, 196^1; quoted on De l’Orme, 200^1. Bettini, Giovanni, his work on the church of Santa Maria Novella, Florence, 35. Blind arcade, forms proper decoration for mediæval interiors, 29. Bloomfield, Reginald, _A History of Renaissance Architecture in England_, 218, 232^2; quoted on Inigo Jones, 232. Bologna, Palazzo Bevilacqua, 165; window openings of mediæval form without central shaft, 165. Bourges, house of Jacques Cœur, a forerunner of the Renaissance châteaux, 180. Bramante, his birth and early work, 44; the Tempietto of San Pietro in Montorio, 44–46 (cut), 239; his work on St. Peter’s, Rome, 47–53 (cuts), 63, 64, 70, 236; his use of the Pantheon and Basilica of Maxentius as models, 49–52 (cuts); alteration of his scheme by others, 49^3, 53–55, 64, 70; weakness of his scheme, 52; accused of poor workmanship, 64; ch. of Santa Maria della Consolazione at Todi, 74–77 (cuts); his work on the cathedral of Como, 144; ch. of Santa Maria delle Grazie, Milan, 140, 142; ch. of San Satiro, Milan, 138 (cut); cloister of Santa Maria della Pace, Rome, 119; Palazzo Cancelleria, Rome, 112–114 (cut). Brescia, Palazzo Comunale, 163, of the broletto type, 163, window openings, 164; Palazzo Martinengo, peculiar and meaningless style of window opening, 166 (cut); Palazzo Municipale, leafage of capitals, 176 (cut). Brunelleschi, the dome of Florence cathedral, 10–25, 22, 48, 50, 54, 55; his own account of the dome quoted, 18^1, 22^1; his great ability, 21; his scaffolding, 21^3; why he led the way in a wrong direction, 22, 25, 63; character of his work in general, 26; his use of the orders, 26; the chapel of the Pazzi, Florence, 26–32 (cuts), 175; ch. of San Lorenzo, Florence, 33; ch. of Santo Spirito, Florence, 33; the Pitti palace, Florence, 106; Palazzo Pazzi or the Quaratesi, Florence, 106; leafage of capital, 175 (cut).