Character of Renaissance ArchitectureMoore, Charles Herbert
History
Character of Renaissance Architecture
Moore, Charles Herbert
Architecture, Renaissance
Michael Angelo at the time of his appointment as architect, in the year
1546, was seventy-two years of age. He professed great respect for the
original scheme of Bramante, yet he radically changed the form and
adjustment of its main feature, the dome. In conformity with Bramante’s
project, he made the drum massive at the base and thinner above, but in
place of Bramante’s external colonnade surmounted by a solid ring of
masonry, forming a continuous abutment at the springing of the vault,
he substituted a series of sixteen isolated buttresses, and raised the
dome so high above them that they do not meet its thrusts at all. The
drum is carried up above the buttresses so as to form an attic over
the order with which the buttresses are ornamented, and from the top of
this attic the dome is sprung. The stepped circles of abutting masonry
at the haunch are omitted, and instead of one solid vault shell, such
as Bramante intended, Michael Angelo’s project provided for a variation
of Brunelleschi’s double vault, and was to include (as the model,
Fig. 26, shows) three separate shells.[44] The inner shell was to be
hemispherical (Michael Angelo thus showing that he appreciated the
superior character of the dome of the Pantheon and that of Bramante’s
scheme to the dome of Brunelleschi as to internal effect), while the
other two were to be pointed, with diverging surfaces. Following
Brunelleschi, he introduced a system of enormous ribs rising over the
buttresses of the drum, and converging on the opening at the crown of
the vault. These ribs unite the outermost two shells, extending through
the thickness of both, and support the lantern.
Of this hazardous scheme only the drum was completed when Michael
Angelo died. But the existing dome, which was carried out by his
immediate successors, is substantially his design, though the innermost
shell of the model was omitted in execution, and the vault was thus
made double instead of three-fold (Fig. 30). This dome does not,
however, divide into two shells from near the springing, but is carried
up in one solid mass almost to the level of the haunch. Michael Angelo
may have thought that this would strengthen it, but the solid part
has not a form capable of much resistance to thrust, and the isolated
buttresses are located so far below the springing that they contribute
practically nothing to the strength of the system, as already remarked,
and as we shall presently see.
Public-domain text, read in full here on John Shaqi.
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