Character of Renaissance ArchitectureMoore, Charles Herbert
History
Character of Renaissance Architecture
Moore, Charles Herbert
Architecture, Renaissance
any propriety be called a dome, occurs over the crossing of nave and
transept in the old cathedral of Salamanca in Spain (Fig. 28).[47] But
this vault has a very different character from the imaginary one just
described. It rises from the top of a high drum resting on pendentives,
and is built on a system of salient converging ribs. The spaces
between these ribs are vaulted over with courses of masonry slightly
arched from rib to rib, and thus running in a direction perpendicular
to that of the courses in a Gothic vault cell, as in _B_, Figure
27. A series of hollowed gores are thus formed which give a scalloped
instead of a plain circular plan to the vault as a whole. But such a
vault differs fundamentally from a Gothic vault. For the line of the
crown of each cell is the steep segmental curve _ab_ in _A_,
Figure 29. In other words, the vault as a whole is a hemisphere with
its surface broken into shallow hollows like the gores of a melon.
It is obvious that in a vault with cells so shaped the thrusts are
as great at all points in the circumference as they are in a simple
hemispherical dome, and that such a vault can have no Gothic character.
To develop this into any real likeness to a Gothic vault, it would be
necessary to reduce it to an unbroken circular plan by cutting off the
scallops at its base so that it would fit into the circular drum, upon
the inner surface of which it would now intersect in series of small
arches, one for each hollowed gore, with its springing at the point
_d_ and its crown at the point _c_. Then these arches would
have to be raised by stilting and pointing until their crowns were
brought up to the level, or near the level, of the point _b_ as in
_B_ of the same figure. Thus the line _dc_, which represents
the height of the arches in the first stage of this development,
becomes the line _ac_ in the second stage. So long as the chord of
the arc _bc_ is a steeply inclined line, the vaulting cells cannot
bear upon the ribs, nor can the thrusts of the vault be concentrated in
a Gothic way.
[Illustration: FIG. 28.--Interior of dome of Salamanca.]
[Illustration:
_A_ FIG. 29. _B_]
The vault of Salamanca is not a Gothic vault in any sense, though its
rib system and its hollowed cells conform with the earliest stage of
apsidal vault development leading to Gothic.[48] It is a dome, and like
the larger dome of St. Peter’s, it is sprung from the top of the drum;
but unlike St. Peter’s dome, it is powerfully abutted by turrets and
dormers built against its springing and its haunch, and it is loaded at
the crown with a cone of masonry, so that from without it looks like a
stumpy spire, and not like a dome.[49]
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