Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
her sex, flings herself and her fortunes at the feet of her lover:
And all my fortunes at thy foot I'll lay,
And follow thee, my lord, through all the world.[11]
In Portia's confession, which is not breathed from a moonlit balcony,
but spoken openly in the presence of her attendants and vassals, there
is nothing of the passionate self-abandonment of Juliet, nor of the
artless simplicity of Miranda, but a consciousness and a tender
seriousness, approaching to solemnity, which are not less touching.
You see me, Lord Bassanio, where I stand,
Such as I am: though for myself alone,
I would not be ambitious in my wish,
To wish myself much better; yet, for you,
I would be trebled twenty times myself;
A thousand times more fair, ten thousand times
More rich; that only to stand high in your account,
I might in virtues, beauties, livings, friends,
Exceed account; but the full sum of me
Is sum of something; which to term in gross,
Is an unlesson'd girl, unschool'd, unpractis'd,
Happy in this, she is not yet so old
But she may learn; and happier than this,
She is not bred so dull but she can learn;
Happiest of all is, that her gentle spirit
Commits itself to yours to be directed,
As from her lord, her governor, her king.
Myself and what is mine, to you and yours
Is now converted. But now, I was the lord,
Of this fair mansion, master of my servants,
Queen o'er myself; and even now, but now,
This house, these servants, and this same myself,
Are yours, my lord.
We must also remark that the sweetness, the solicitude, the subdued
fondness which she afterwards displays, relative to the letter, are as
true to the softness of her sex, as the generous self-denial with which
she urges the departure of Bassanio, (having first given him a husband's
right over herself and all her countless wealth,) is consistent with a
reflecting mind, and a spirit at once tender, reasonable, and
magnanimous.
It is not only in the trial scene that Portia's acuteness, eloquence,
and lively intelligence are revealed to us; they are displayed in the
first instance, and kept up consistently to the end. Her reflections,
arising from the most usual aspects of nature, and from the commonest
incidents of life are in such a poetical spirit, and are at the same
time so pointed, so profound, that they have passed into familiar and
daily application, with all the force of proverbs.
If to do, were as easy as to know what were good to do,
chapels had been churches, and poor men's cottages princes'
palaces.
I can easier teach twenty what were good to be done, than be
one of the twenty to follow mine own teaching.
Public-domain text, read in full here on John Shaqi.
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