Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
The crow doth sing as sweetly as the lark,
When neither is attended; and, I think,
The nightingale, if she should sing by day,
When every goose is cackling, would be thought
No better a musician than the wren.
How many things by season, seasoned are
To their right praise and true perfection!
How far that little candle throws his beams!
So shines a good deed in a naughty world.
A substitute shines as brightly as a king,
Until a king be by; and then his state
Empties itself, as doth an inland brook,
Into the main of waters.
Her reflections on the friendship between her husband and Antonio are as
full of deep meaning as of tenderness; and her portrait of a young
coxcomb, in the same scene, is touched with a truth and spirit which
show with what a keen observing eye she has looked upon men and things.
----I'll hold thee any wager,
When we are both accouter'd like young men.
I'll prove the prettier fellow of the two,
And wear my dagger with the braver grace
And speak, between the change of man and boy
With a reed voice; and turn two mincing steps
Into a manly stride; and speak of frays,
Like a fine bragging youth; and tell quaint lies--
How honorable ladies sought my love,
Which I denying, they fell sick and died;
I could not do withal: then I'll repent,
And wish, for all that, that I had not killed them;
And twenty of these puny lies I'll tell,
That men should swear, I have discontinued school
Above a twelvemonth!
And in the description of her various suitors, in the first scene with
Nerissa, what infinite power, wit, and vivacity! She half checks herself
as she is about to give the reins to her sportive humor: "In truth, I
know it is a sin to be a mocker."--But if it carries her away, if is so
perfectly good-natured, so temperately bright, so lady-like, it is ever
without offence; and so far, most unlike the satirical, poignant,
unsparing wit of Beatrice, "misprising what she looks on." In fact, I
can scarce conceive a greater contrast than between the vivacity of
Portia and the vivacity of Beatrice. Portia, with all her airy
brilliance, is supremely soft and dignified; every thing she says or
does, displays her capability for profound thought and feeling, as well
as her lively and romantic disposition; and as I have seen in an Italian
garden a fountain flinging round its wreaths of showery light, while the
many-colored Iris hung brooding above it, in its calm and soul-felt
glory; so in Portia the wit is ever kept subordinate to the poetry, and
we still feel the tender, the intellectual, and the imaginative part of
the character, as superior to, and presiding over its spirit and
vivacity.
Public-domain text, read in full here on John Shaqi.
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