Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
Camiola, in Massinger's Maid of Honor, is said to emulate Portia; and
the real story of Camiola (for she is an historical personage) is very
beautiful. She was a lady of Messina, who lived in the beginning of the
fourteenth century; and was the contemporary of Queen Joanna, of
Petrarch and Boccaccio. It fell out in those days, that Prince Orlando
of Arragon, the younger brother of the King of Sicily, having taken the
command of a naval armament against the Neapolitans, was defeated,
wounded, taken prisoner, and confined by Robert of Naples (the father of
Queen Joanna) in one of his strongest castles. As the prince had
distinguished himself by his enmity to the Neapolitans, and by many
exploits against them, his ransom was fixed at an exorbitant sum, and
his captivity was unusually severe; while the King of Sicily, who had
some cause of displeasure against his brother, and imputed to him the
defeat of his armament, refused either to negotiate for his release, or
to pay the ransom demanded.
Orlando, who was celebrated for his fine person and reckless valour, was
apparently doomed to languish away the rest of his life in a dungeon,
when Camiola Turinga, a rich Sicilian heiress, devoted the half of her
fortune to release him. But as such an action might expose her to evil
comments, she made it a condition, that Orlando should marry her. The
prince gladly accepted the terms, and sent her the contract of marriage,
signed by his hand; but no sooner was he at liberty, than he refused to
fulfil it, and even denied all knowledge of his benefactress.
Camiola appealed to the tribunal of state, produced the written
contract, and described the obligations she had heaped on this
ungrateful and ungenerous man; sentence was given against him, and he
was adjudged to Camiola, not only as her rightful husband, but as a
property which, according to the laws of war in that age, she had
purchased with her gold. The day of marriage was fixed; Orlando
presented himself with a splendid retinue; Camiola also appeared,
decorated as for her bridal; but instead of bestowing her hand on the
recreant, she reproached him in the presence of all with his breach of
faith, declared her utter contempt for his baseness; and then freely
bestowing on him the sum paid for his ransom, as a gift worthy of his
mean soul, she turned away, and dedicated herself and her heart to
heaven. In this resolution she remained inflexible, though the king and
all the court united in entreaties to soften her. She took the veil; and
Orlando, henceforth regarded as one who had stained his knighthood, and
violated his faith, passed the rest of his life as a dishonored man, and
died in obscurity.
Public-domain text, read in full here on John Shaqi.
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