Characteristics of Women: Moral, Poetical, and HistoricalJameson, Mrs. (Anna)
History
Characteristics of Women: Moral, Poetical, and Historical
Jameson, Mrs. (Anna)
Shakespeare, William, 1564-1616 -- Characters -- Women; Women and literature -- England -- History -- 16th century
In the last act, Shylock and his machinations being dismissed from our
thoughts, and the rest of the _dramatis personae_ assembled together at
Belmont, all our interest and all our attention are riveted on Portia,
and the conclusion leaves the most delightful impression on the fancy.
The playful equivoque of the rings, the sportive trick she puts on her
husband, and her thorough enjoyment of the jest, which she checks just
as it is proceeding beyond the bounds of propriety, show how little she
was displeased by the sacrifice of her gift, and are all consistent with
her bright and buoyant spirit. In conclusion; when Portia invites her
company to enter her palace to refresh themselves after their travels,
and talk over "these events at full," the imagination, unwilling to lose
sight of the brilliant group, follows them in gay procession from the
lovely moonlight garden to marble halls and princely revels, to splendor
and festive mirth, to love and happiness.
Many women have possessed many of those qualities which render Portia so
delightful. She is in herself a piece of reality, in whose possible
existence we have no doubt: and yet a human being, in whom the moral,
intellectual, and sentient faculties should be so exquisitely blended
and proportioned to each other; and these again, in harmony with all
outward aspects and influences probably never existed--certainly could
not now exist. A woman constituted like Portia, and placed in this age,
and in the actual state of society, would find society armed against
her; and instead of being like Portia, a gracious, happy, beloved, and
loving creature, would be a victim, immolated in fire to that
multitudinous Moloch termed Opinion. With her, the world without would
be at war with the world within; in the perpetual strife, either her
nature would "be subdued to the element it worked in," and bending to a
necessity it could neither escape nor approve, lose at last something of
its original brightness; or otherwise--a perpetual spirit of resistance,
cherished as a safeguard, might perhaps in the end destroy the
equipoise; firmness would become pride and self-assurance; and the soft,
sweet, feminine texture of the mind, settle into rigidity. Is there then
no sanctuary for such a mind?--Where shall it find a refuge from the
world?--Where seek for strength against itself? Where, but in heaven?
Public-domain text, read in full here on John Shaqi.
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