Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
He was very much pleased with my achievements. I was very much pleased
with everything; I was saturated with pleasure. That day has lasted
me--a light--to this. Had I been stricken blind and deaf afterwards, I
ought not to have complained,--so far would my happiness, in degree
and nature, have outweighed any other I can imagine to have fallen to
any other lot. Let those who endure, who rejoice, alike pure in
passion, bless God for the power they possess--innate, unalienable,
intransferable--of suffering all they feel.
I shall never forget that scene. The hall was already crowded when we
pressed into our places half an hour before the appointed
commencement. Every central speck was a head; the walls were pillared
with human beings; the swarm increased, floating into the reserved
places, and a stream still poured on beneath the gallery.
As if to fling glory on music not of its own, it was a most splendid
day,--the finest, warmest, and serenest we had had for weeks. Through
the multitudinous panes the sky was a positive blaze of blue; the
sunshine fell upon the orchestra from the great arched window at the
end of the vaulted building, and through that window's purple and
orange border radiated gold and amethyst upon the countenances of the
entering crowd. The hands of the clock were at the quarter now; we in
the chorus wondered that St. Michel had not come. Again they moved,
those noiseless hands, and the "tongue" of iron told eleven. We all
grew anxious. Still, as all the clocks in the town were not alike, we
might be the mistaken ones by ours. It now struck eleven, though, from
the last church within our hearing, and there was not yet St. Michel.
We were all in the chorus fitted in so nicely that it would have been
difficult for some to get out, or if out, impossible to get in. They
were all in the orchestra placed as closely as possible, amidst a
perfect grove of music-stands. The reserved seats were full, the
organist was seated, the score lay wide open upon the lofty desk; but
St. Michel did not come!
Public-domain text, read in full here on John Shaqi.
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