Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
I shall never forget how we wearied and wondered, and how I, at least,
racked myself, writhed, and agonized. The door beneath the orchestra
was shut, but every instant or two a hand turned the lock outside; one
agitated face peeped in, then another, but were immediately withdrawn.
I scarcely suppose the perfect silence lasted three minutes; it was
like an electrical suspension, and as quickly snapped. The surcharging
spleen of the audience began to break in a murmuring, humming, and
buzzing, from centre to gallery. The confusion of forms and faces
became a perfect dream, it dazzled me dizzy, and I felt quite sick. A
hundred fans began to ply in the reserved seats, the gentlemen bent
over the ladies; the sound gathered strength and portentous
significance from the non-explanatory calm of the orchestra force;
but all eyes were turned, all chins lengthened, towards the orchestra
door. At precisely a quarter past eleven the door opened wide, and up
came a gentleman in a white waistcoat. He stood somewhere in front,
but he could not get his voice out at first. Oh, the hisses then! the
shouts! the execrations! But it was a musical assembly, and a few
cries of "Shame!" hushed the storm sufficiently to give our curiosity
vent.
The speaker was a member of the committee, and very woebegone he
looked. He had to say (and it was of course his painful duty) that the
unprecedented delay in the commencement of the performance was
occasioned by an inevitable and most unexpected accident. Mr. St.
Michel, in riding from his house a few miles out, had been thrown from
his horse at the corner of the market-place, and falling on his right
arm, had broken it below the elbow.
The suddenness of the event would account for the delay sufficiently;
all means at present were being employed to secure the services of an
efficient resident professor, and it was trusted he would arrive
shortly. Otherwise, should there among the enlightened audience be
present any professor able and willing to undertake the responsible
office of conductor _pro tempore_, the committee would feel--A
hurricane of noes tore up the rest of the sentence in contempt, and
flung it in the face of the gentleman in the white waistcoat. He still
stood. It was well known that not a hand could be spared from the
orchestra; but of course a fancy instantly struck me of Lenhart Davy.
I looked up wistfully at him, among the basses, and endeavored to
persuade him with my eyes to come down. He smiled upon me, and his eye
was kindled; otherwise he seemed determined to remain as he was. Davy
was very proud, though one of the most modest men I ever knew.
A fresh volley of hisses broke from the very heart of the hall. Still,
it did not circulate, though the confusion seemed increasing in the
centre; and it was at that very instant--before poor Merlington had
left his apologetic stand--that a form, gliding light, as if of air,
appeared hovering on the steps at the side of the orchestra.
Public-domain text, read in full here on John Shaqi.
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