Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
Transcriber's Note:
Inconsistent hyphenation and spelling in the original document have
been preserved. Obvious typographical errors have been corrected.
Italic text is denoted by _underscores_.
The following possible typographical errors were left uncorrected:
Page 173: "musical electicism" should possibly be "musical
eclecticism"
Page 228: "eflish mood" should possibly be "elfish mood"
Page 295: "Dunisnane" should possibly be "Dunsinane"
CHARLES AUCHESTER
VOLUME II.
[Illustration: MENDELSSOHN
FROM A SKETCH MADE IN HIS YOUTH.]
CHARLES AUCHESTER
BY
ELIZABETH SHEPPARD
_WITH AN INTRODUCTION AND NOTES_
By GEORGE P. UPTON
AUTHOR OF "THE STANDARD OPERAS," "STANDARD ORATORIOS," "STANDARD
CANTATAS," "STANDARD SYMPHONIES," "WOMAN IN MUSIC," ETC.
In Two Volumes
VOLUME II.
A. C. McCLURG AND COMPANY
CHICAGO
1891
COPYRIGHT,
BY A. C. MCCLURG AND CO.
A. D. 1891.
CHARLES AUCHESTER.
CHAPTER I.
Well, as if but yesterday, do I remember the morning I set out from
Lorbeerstadt for Cecilia. I had no friends yet with whom to
reconnoitre novel ground; I was quite solitary in my intentions, and
rather troubled with a vague melancholy, the sun being under cloud,
and I not having wished Aronach good-day. He was out in the town
fulfilling the duties of his scholastic pre-eminence, and I had vainly
sought him for an audience. He had surrendered me my violin when he
gave me the paper in his writing, and I also carried my certificate in
my hand. Of all my personal effects I took these only,--my bed and
bedding, my clothes and books having preceded me; or, at least, having
taken another form of flight. Iskar was to come also that time, but
did not intend to present himself until the evening. Aronach had also
forewarned me to take a coach, but I rather chose to walk, having
divine reminiscences upon that earthly road.
With Starwood I had a grievous parting, not unallayed by hope on my
part, and I left him wiping his eyes,--an attention which deeply
affected me, though I did not cry myself.
Public-domain text, read in full here on John Shaqi.
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