Charles Dickens: A critical studyChesterton, G. K. (Gilbert Keith)
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Charles Dickens: A critical study
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870
There is one aspect of Charles Dickens which must be of interest even
to that subterranean race which does not admire his books. Even if we
are not interested in Dickens as a great event in English literature,
we must still be interested in him as a great event in English history.
If he had not his place with Fielding and Thackeray, he would still
have his place with Wat Tyler and Wilkes; for the man led a mob. He did
what no English statesman, perhaps, has really done; he called out the
people. He was popular in a sense of which we moderns have not even a
notion. In that sense there is no popularity now. There are no popular
authors to-day. We call such authors as Mr. Guy Boothby or Mr. William
Le Queux popular authors. But this is popularity altogether in a weaker
sense; not only in quantity, but in quality. The old popularity was
positive; the new is negative. There is a great deal of difference
between the eager man who wants to read a book, and the tired man who
wants a book to read. A man reading a Le Queux mystery wants to get
to the end of it. A man reading the Dickens novel wished that it might
never end. Men read a Dickens story six times because they knew it so
well. If a man can read a Le Queux story six times it is only because
he can forget it six times. In short, the Dickens novel was popular,
not because it was an unreal world, but because it was a real world; a
world in which the soul could live. The modern “shocker” at its very
best is an interlude in life. But in the days when Dickens’s work was
coming out in serial, people talked as if real life were itself the
interlude between one issue of “Pickwick” and another.
Public-domain text, read in full here on John Shaqi.
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