Charles Dickens: A critical studyChesterton, G. K. (Gilbert Keith)
General
Charles Dickens: A critical study
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870
In reaching the period of the publication of “Pickwick,” we reach this
sudden apotheosis of Dickens. Henceforward he filled the literary
world in a way hard to imagine. Fragments of that huge fashion remain
in our daily language; in the talk of every trade or public question
are embedded the wrecks of that enormous religion. Men give out the
airs of Dickens without even opening his books; just as Catholics can
live in a tradition of Christianity without having looked at the New
Testament. The man in the street has more memories of Dickens, whom he
has not read, than of Marie Corelli, whom he has. There is nothing
in any way parallel to this omnipresence and vitality in the great
comic characters of Boz. There are no modern Bumbles and Pecksniffs,
no modern Gamps and Micawbers. Mr. Rudyard Kipling (to take an author
of a higher type than those before mentioned) is called, and called
justly, a popular author; that is to say, he is widely read, greatly
enjoyed, and highly remunerated; he has achieved the paradox of at once
making poetry and making money. But let any one who wishes to see the
difference try the experiment of assuming the Kipling characters to
be common property like the Dickens characters. Let any one go into
an average parlour and allude to Strickland as he would allude to
Mr. Bumble, the Beadle. Let any one say that somebody is “a perfect
Learoyd,” as he would say “a perfect Pecksniff.” Let any one write a
comic paragraph for a halfpenny paper, and allude to Mrs. Hawksbee
instead of to Mrs. Gamp. He will soon discover that the modern world
has forgotten its own fiercest booms more completely than it has
forgotten this formless tradition from its fathers. The mere dregs
of it come to more than any contemporary excitement; the gleaning of
the grapes of “Pickwick” is more than the whole vintage of “Soldiers
Three.” There is one instance, and I think only one, of an exception
to this generalization; there is one figure in our popular literature
which would really be recognized by the populace. Ordinary men would
understand you if you referred currently to Sherlock Holmes. Sir
Arthur Conan Doyle would no doubt be justified in rearing his head
to the stars, remembering that Sherlock Holmes is the only really
familiar figure in modern fiction. But let him droop that head again
with a gentle sadness, remembering that if Sherlock Holmes is the only
familiar figure in modern fiction, Sherlock Holmes is also the only
familiar figure in the Sherlock Holmes tales. Not many people could say
offhand what was the name of the owner of Silver Blaze, or whether Mrs.
Watson was dark or fair. But if Dickens had written the Sherlock Holmes
stories, every character in them would have been equally arresting and
memorable. A Sherlock Holmes would have cooked the dinner for Sherlock
Holmes; a Sherlock Holmes would have driven his cab. If Dickens brought
in a man merely to carry a letter, he had time for a touch or two, and
made him a giant.
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