Charles Dickens and MusicLightwood, James T. (James Thomas)
General
Charles Dickens and Music
Lightwood, James T. (James Thomas)
Dickens, Charles, 1812-1870 -- Knowledge -- Music; Music and literature
He confesses his ignorance as to what gowans are,
but I have no doubt that Copperfield and myself would
frequently have taken a pull at them, if it had been
feasible.
In the last letter he writes he makes a further quotation from
the song. On another occasion, however, under the stress of
adverse circumstances he finds consolation in a verse from
'Scots, wha hae',' while at the end of the long epistle in
which he disclosed the infamy of Uriah Heep, he claims to
have it said of him, 'as of a gallant and eminent naval Hero,'
that what he has done, he did
For England, home, and beauty.
'The Death of Nelson,' from which this line comes, had a
long run of popularity. Braham, the composer, was one of the
leading tenors of the day, and thus had the advantage of being
able to introduce his own songs to the public. The novelist's
dictum that 'composers can very seldom sing their own music or
anybody else's either' (_P.P._ 15) may be true in the main, but
scarcely applies to Braham, who holds very high rank amongst
English tenors. Another song which he wrote with the title
'The Victory and Death of Lord Viscount Nelson' met with no
success. The one quoted by Micawber was naturally one of Captain
Cuttle's favourites, and it is also made use of by Silas Wegg.
The musical gifts of Mr. and Mrs. Micawber descended to
their son Wilkins, who had 'a remarkable head voice,' but
having failed to get into the cathedral choir at Canterbury,
he had to take to singing in public-houses instead of in
sacred edifices. His great song appears to have been 'The
Woodpecker Tapping.' When the family emigrated Mr. M. expressed
the hope that 'the melody of my son will be acceptable at the
galley fire' on board ship. The final glimpse we get of him
is at Port Middlebay, where he delights a large assembly by
his rendering of 'Non Nobis' (see p. 149), and by his dancing
with the fourth daughter of Mr. Mell.
The 'Woodpecker' song is referred to in an illustrative way
by Mrs. Finching (_L.D._), who says that her papa
is sitting prosily breaking his new-laid egg in the
back parlour like the woodpecker tapping.
_Captain Cuttle_
Captain Cuttle is almost as full of melody as Micawber, though
his repertoire is chiefly confined to naval ditties. His great
song is 'Lovely Peg,' and his admiration for Florence Dombey
induces him to substitute her name in the song, though the
best he can accomplish is 'Lovely Fleg.'
There are at least three eighteenth-century ballads with Peg,
or Lovely Peg, for the subject, and it is not certain which
of these the Captain favoured. This is one of them:
Once more I'll tune the vocal shell,
To Hills and Dales my passion tell,
A flame which time can never quell,
That burns for lovely Peggy.
Then comes this tuneful refrain:
[Figure 6]
Lovely Peggy, lovely Peggy,
Lovely, lovely, lovely Peggy;
The heav'ns should sound with echoes rung
In praise of lovely Peggy.
Public-domain text, read in full here on John Shaqi.
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