The two others of this period that I have seen are called 'Peggy' and 'Lovely Peggy, an imitation.' However, it is most probable that the one that the Captain favoured--in spite of the mixture of names--was C. Dibdin's 'Lovely Polly.' LOVELY POLLY [Figure 7] A seaman's love is void of art, Plain sailing to his port the heart; He knows no jealous folly, He knows no jealous folly. 'Tis hard enough at sea to war With boist'rous elements that jar-- All's peace with lovely Polly, All's peace with lovely Polly, with lovely Polly, lovely Polly, All's peace with lovely Polly. Dickens was very familiar with Dibdin's songs, while the eighteenth-century ones referred to he probably never heard of, as they are very rarely found. The worthy Captain enjoys a good rollicking song, preferably of a patriotic turn, but is very unreliable as to the sources of his ditties. 'Wal'r, my boy,' replied the Captain, 'in the Proverbs of Solomon you will find the following words, "May we never want a friend in need, nor a bottle to give him!" When found, made a note of.' This is taken from a song by J. Davy, known as 'Since the first dawn of reason,' and was sung by Incledon. Since the first dawn of reason that beam'd on my mind, And taught me how favoured by fortune my lot, To share that good fortune I still am inclined, And impart to who wanted what I wanted not. It's a maxim entitled to every one's praise, When a man feels distress, like a man to relieve him; And my motto, though simple, means more than it says, 'May we ne'er want a friend or a bottle to give him.' He is equally unreliable as to the source of a still more famous song. When Florence Dombey goes to see him the Captain intimates his intention of standing by old Sol Gills, 'and not desert until death do us part, and when the stormy winds do blow, do blow, do blow--overhaul the Catechism,' said the Captain parenthetically, 'and there you'll find these expressions.' I have not heard of any church that has found it necessary to include this old refrain in its Catechism, nor even to mix it up with the Wedding Service. A further mixture of quotations occurs when he is talking of Florence on another occasion. Speaking of the supposed death of Walter he says, Though lost to sight, to memory dear, and England, home, and beauty. The first part--which is one of Cuttle's favourite quotations--is the first line of a song by G. Linley. He composed a large number of operas and songs, many of which were very popular. The second part of the quotation is from Braham's 'Death of Nelson' (see p. 116). In conversation with his friend Bunsby, Cuttle says-- Give me the lad with the tarry trousers as shines to me like di'monds bright, for which you'll overhaul the 'Stanfell's Budget,' and when found make a note.