Charles Frohman: Manager and ManMarcosson, Isaac Frederick
General
Charles Frohman: Manager and Man
Marcosson, Isaac Frederick
Frohman, Charles, 1860-1915; Theater -- United States
II
EARLY HARDSHIPS ON THE ROAD
The Christmas of 1876 was not a particularly merry one for Charles
Frohman. The ardent boy, whose brief experience in Hooley's box-office
had fastened the germ of the theater in his system, chafed at the
restraint that kept him at a routine task. But his deliverance was at
hand.
Shortly before the close of the old year Gustave quit the Callender
Minstrels. With a capital of fifty-seven dollars he remained in Chicago,
waiting for something to turn up. One day as he sat in the lobby of the
old Sherman House he was accosted by J. H. Wallick, an actor-manager who
had just landed in town with a theatrical combination headed by John
Dillon, a well-known Western comedian of the time. They were stranded
and looking for a backer.
"Will you take charge of the company?" asked Wallick.
"I've only got fifty-seven dollars," said Gustave, "but I'll take a
chance."
Between them they raised a little capital and started on a tour of the
Middle West that was destined to play a significant part in shaping the
career of Charles. In the company besides John Dillon were his wife,
Louise Dillon (afterward the ingenue of Daniel Frohman's Lyceum
Company); George W. Stoddart, brother of J. H. Stoddart of A. M.
Palmer's Company, his wife and his daughter, Polly Stoddart, who married
Neil Burgess; John F. Germon; Mrs. E. M. Post, and Wesley Sisson. Their
repertory consisted of two well-worn but always amusing plays, "Our
Boys" and "Married Life."
Gustave was to remain with the company until they reached Clinton, Iowa.
After that he was to go ahead while Wallick was to remain with the
company. When Gustave was about to leave, the company protested. He had
won their confidence, and they threatened to strike. What to do with
Wallick was the problem.
"Why not make him stage-manager?" suggested Dillon.
"All right," said Gustave, "but who is to go ahead of the show?"
The company was gathered on the stage of the Davis Opera House. Gustave
scratched his head. Then he turned quickly on the group of stage folk
and said:
"I've got some one for you. I'll wire my brother Charles to come on and
be advance-agent."
Thus it came about that from a little Iowa town there flashed back to
New York on a memorable morning in January, 1877, the following telegram
from Gustave to Charles Frohman:
_Your time has come at last. Am wiring money for ticket to St.
Paul, where you begin as agent for John Dillon. Will meet you 2
A.M. at Winona, where you change cars and where I will instruct._
Charles happened to be at home when this telegram came. It was the first
he had ever received. With trembling hands he tore it open, his rosy
face broke into a seraphic smile, and the tears came into his eyes. He
rushed to his mother, threw his arms around her, and gasped:
"At last I'm in the business!"
Public-domain text, read in full here on John Shaqi.
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