Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“There was a murmur of voices in the court below, and a sound of wheels
crushing over the gravel. Was he really going, and without her? She must
know, and springing from her crouching attitude she started for the
door, but found it locked from the other side it would seem, and she was
a prisoner indeed, and for a time a maniac as well, if sobs and moans
and piteous cries for some one to come to her aid could be called proofs
of insanity. But no one came, and the hours dragged heavily on till she
heard the house clock strike four, and then Celine came in to dress
madame for dinner, but Anna waved her off loathing the very thought of
food—loathing the glitter and display of the day before—loathing the
elegant dresses which Celine spread out before her, hoping thus to tempt
her.
“‘Go away, go away, or let me out,’ she cried, while Celine, who could
not understand a word, kept at a safe distance, eying her young mistress
and thinking it very strange that her master should have two crazy girls
in succession—poor Agatha Wynde and this fair American, who Madame
Verwest said was his wife.
“‘Perhaps,’ Celine had thought with a shrug of her shoulders; ‘but if
the lady is his wife why leave her so quick?’
“But wife or not it was Celine’s business to attend her, and she had no
intention of shrinking from her duty.
“‘Poor girl, and so young,’ she thought, and she tried to quiet and
conciliate her, and brought out dress after dress and held up to view,
until, maddened at the sight of the finery so detestable to her now,
Anna shut her eyes, and stopping her ears shrieked aloud in the utter
abandonment of despair.
“‘_Mon Dieu_,’ Celine exclaimed, as she fled from the room in quest of
Madame Verwest, whose face was white as marble and whose eyes had in
them a look which Celine had never seen before. But she did not offer to
go near the lady whom Celine represented as being so bad, nor did she
see her during that day or the next. She, too, was acting very queerly,
the servants said to each other, as they talked in whispers of the
American who refused to touch a morsel of food, and who had not tasted a
mouthful since the master went away.
“She was in bed now, Celine said, lying with her face to the wall, and
moaning so sadly and saying things she could not understand. ‘If Madame
would only go to her and speak one word—_Anglaise_,’ she said to Madame
Verwest on the morning of the third day, and with that same white,
pinched look upon her face, madame started at last for the _salon_.
CHAPTER III.
MADAME VERWEST AND ANNA.
Public-domain text, read in full here on John Shaqi.
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