Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“It was now the third day since Haverleigh’s departure, and Anna had
adhered to her resolution not to eat or drink, hoping thus to hasten the
death she so longed for, and yet dared not achieve by rasher means. Four
times a day Celine had carried her the most tempting dishes which a
French cook could manufacture, and tried by signs, and gestures, and a
voluble rattling of her mother tongue, to persuade her mistress to eat,
or, at least, sip the delicious chocolate, or _cafe au lait_, whose
perfume itself was almost meat and drink. But all in vain. Anna neither
turned her head nor spoke, but lay with her face to the wall on the
massive bedstead of rosewood and gilt, whose silken and lace hangings
seemed to aggravate her misery. So much grandeur, so much elegance, and
she so hopeless and wretched. Oh, with what wild yearnings she thought
of her New England home, and the labor she had so despised.
“‘Oh, mother, mother, if you only knew, but I shall never see you again.
I shall die, and nobody will know. I believe I am dying now,’ she
moaned, as the gnawings of hunger and thirst began to make themselves
felt, and there stole over her that deathly sickness and cold, clammy
sweat which so often precedes a fainting fit, or a severe attack of
vomiting. ‘Yes, I’m dying and I’m glad,’ she whispered, as everything
around her began to grow dark, and she seemed to be floating away on a
billow of the sea.
‘No, you are not dying. You are only faint with hunger and excitement.
Take a sip of this wine,’ was spoken in her ear in a pure English
accent, while a cool hand was laid kindly upon her hot, throbbing head.
“It was the English voice, the sound of home, which brought Anna back to
consciousness, and turning herself quickly toward the speaker, she saw
Madame Verwest bending over her, with a glass of spiced wine and some
biscuits, at which she clutched eagerly, forgetful of her recent desire
to die. The English voice had saved her, and a flood of tears rained
over her young face as she glanced up at Madame Verwest, and met the
same kind expression which had greeted her the first day of her arrival
at Chateau d’Or.
“‘Oh, you can speak English. You will help me to get away, to go home to
mother? You’ll save me from him, won’t you? Why didn’t you come to me
before?’ she cried; and raising herself in bed, she laid her head upon
the bosom of the woman and sobbed convulsively. ‘Are you crying, too?
Crying for me?’ she asked, as she felt the hot tears falling upon her
hair, and drawing herself a little from Madame Verwest, she gazed at her
in astonishment, for every feature was convulsed with emotion, and the
tears were running down her pallid cheeks.
“‘What is it? Are you a prisoner? Does he say you are crazy like me? Who
are you, and why are you in this dreadful place?’ Anna asked, and then
Madame was herself again, and answered, calmly:
Public-domain text, read in full here on John Shaqi.
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