Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“And so, though letter after letter had been written home, there had
come to her no reply, and she guessed pretty accurately that her letters
were sent directly to her husband, who, of course, destroyed them. A
prisoner for life she began to fear she was, and sometimes beat her
wings cruelly against her gilded cage. Haverleigh had kept his word, and
every luxury in the way of service, elegant dress, and furniture was
hers. All the servants were respectful and attentive, while Celine was
her devoted slave. Anna could talk with her now tolerably well, and the
first use she made of her knowledge was an effort to convince her maid
of her sanity, and that she was kept a prisoner there to suit the whim
of her husband, whom she represented as a dreadful man. But to this
Celine gave no credence, though she at first smilingly assented to her
young mistress’ assertion, as if it were a part of her business to humor
every fancy of the poor lunatic. Once Anna was more earnest than usual,
and begged her maid to say if she believed her crazy.
“‘_Oui, oui_,’ Celine answered, vehemently, ‘I must think it, else why
are you here, shut up from the world and Paris, and monsieur is far too
kind, too fond to imprison madame for naught, and yet——’
“Here Celine paused a moment, as if a new idea had just occurred to her,
and then she continued:
“‘And yet it is a little strange that mademoiselle Agatha should be
crazy, too, like you, and like you shut up here.’
“‘Who was Agatha?’ Anna asked; and then, little by little, she heard the
story of the poor young girl from Normandy, who had died in what Celine
called the ‘Ghost Room,’ with the words ‘_Je vais revoir ma Normandie_’
on her lips.
“‘She haunts the room still,’ Celine said; ‘and often on stormy nights,
when the wind howls round the old chateau, we hear her voice singing of
Normandy. You see, that was her home, and she thought she was going back
to see it again. Oh, but she was pretty, much like madame; only she was
mademoiselle—no wedding ring, for true—no priest—and she was not lady,
like you Americaine. She was people—very people.’
Public-domain text, read in full here on John Shaqi.
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