Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“This was Celine’s version of the story, and that night Anna heard from
Madame Verwest more of poor Agatha, who believed herself a wife, and who
went really mad when she found that she was not. If anything had been
wanting to complete Anna’s loathing and horror of her husband, this
story would have accomplished it. That he was a demon in human form, as
well as a madman, she had no doubt, and there gradually crept into her
heart a fear lest she, too, like Agatha of Normandy, would die in that
dreary house. Still youth is hopeful, and Anna was young and cheered by
the courage of Madame Verwest, who was to her more like a mother than a
servant, she found herself constantly forming plans for escape from the
chateau. When she received her husband’s letter, telling her he was
coming, her first and predominant feeling was one of horror and dread;
but anon there arose in her mind a hope that he might be coming to
release her, or at least to take her with him to Paris, and once there
she would fall in with Americans or English, and through them obtain her
freedom.
“With this end in view she determined to make herself as attractive and
agreeable as possible to the man she detested, and on the day when he
was expected she suffered Celine to dress her in one of the many Paris
gowns which she had never worn, for it had hitherto seemed worse than
folly to array herself in laces, and silks, and jewels for her solitary
meals. But to-day there was a reason for dressing, and she bade Celine
do her best, and when that best was done and she saw herself in the
glass, a picture of rare loveliness in blue satin and lace, with pearls
on her neck and arms, something of her old vanity awoke within her, and
she found herself again wishing that her friends at home could see her.
“In the kitchen below all was bustle and expectation, for whatever
Ernest Haverleigh might be to others, he was exceedingly popular with
his servants, and not a man or woman of them but would have walked
through fire and water to serve him. In the dining salon the table was
set for dinner as it never had been laid since the first night of Anna’s
arrival at Chateau d’Or, more than five months ago. And Anna glanced in
there once as she was passing the door, and felt herself grow sick and
faint as she saw the costly array, and remembered what it was for.
Public-domain text, read in full here on John Shaqi.
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