Chats on CostumeRhead, G. Woolliscroft (George Woolliscroft)
History
Chats on Costume
Rhead, G. Woolliscroft (George Woolliscroft)
Clothing and dress
The great wheel farthingale was worn by the nobility during the latter
half of the reign of Elizabeth, and during the whole of the succeeding
reign. The engraving by Renold Elstracke of James I. and his Queen,
Anne of Denmark, shows the latter in a farthingale, which in size and
general structure is identical with that worn by Elizabeth. It is,
however, box pleated round the top of the drum, the farthingale being
divided in front and discovering the kirtle underneath.
The following story is told by Bulwer in his "Pedigree of the English
Gallant": "When Sir Peter Wych was sent ambassador to the Grand Seignor
from James I., his lady accompanied him to Constantinople, and the
Sultaness having heard much of her, desired to see her; whereupon Lady
Wych, attended by her waiting women, all of them dressed in their great
vardingales, which was the Court-dress of the English ladies at that
time, waited upon her highness. The Sultaness received her visitor with
great respect, but, struck with the extraordinary extension of the hips
of the whole party, seriously inquired if that shape was peculiar to
the natural formation of English women, and Lady Wych was obliged to
explain the whole mystery of the dress, in order to convince her that
she and her companions were not really so deformed as they appeared to
be."
[Illustration: JAMES I. AND HIS QUEEN, ANNE OF DENMARK.
_From an engraving by R. Elstracke._]
In the reign of Charles I. the farthingale, although still worn by the
lower gentry and citizens' wives, is discarded by the upper classes,
and disappears entirely; and it is not until the latter part of the
reign of Queen Anne that it rises again, like the Phœnix from its
own ashes, but in another form, however, that of the enormous hoop,
which grew to such portentous proportions during the reigns of George
I. and II., the outstanding steel or whalebone foundation being
mainly at the bottom of the skirt instead of at the hips. Sir Roger
de Coverley thus expresses the difference between the earlier hooped
petticoats and those of the era of the _Spectator_: "You see, sir, my
great-great-grandmother has on the new-fashioned petticoat, except that
the modern is gathered at the waist; my grandmother appears as if she
stood in a large drum, whereas the ladies now walk as if they were in a
go-cart."
[Illustration: FESTAL DRESS, OTAHEITE.]
Public-domain text, read in full here on John Shaqi.
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